SOLO EXHIBITIONS
| 2025 |
Painted Time: Moons (Laboratory), Bowdoin College Museum of Art, Brunswick, Maine, curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg. New York Studio School, curated by Julia Trotta, Clémence White, and Matthew Higgs |
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Spotlight: Ann Craven, Portland Museum of Art, Portland, ME |
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Ann Craven: Painted Time (2020-2024), Farnsworth Art Museum, Rockland, ME |
| 2024 |
Long Nights Moon, The Quin House, Boston, MA
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| 2023 |
Night, Karma, New York, NY |
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Twelve Moons, Savannah College of Art and Design Museum, Savannah, GA |
| 2022 |
Flowers (Watercolors), Hannah Hoffman Gallery, LA |
| 2021 |
Animals Birds Flowers Moons, Karma, New York |
| 2020 |
Watercolors, Karma (Online Viewing Room), New York |
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Pensée #59, Parapet Real Humans, St. Louis |
| 2019 |
American Birds (Endangered, Extinct, after Audubon), 2019, Southard Reid, London, UK |
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Ann Craven: Birds We Know, CMCA (Center for Maine Contemporary Art), Rockland, ME |
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Ann Craven, Shane Campbell Gallery, Chicago, IL |
| 2018 |
Sunset Moon, Karma, New York |
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Ann Craven with Maccarone, ADAA, New York |
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Snowbirds, Nina Johnson, Miami |
| 2017 |
Animals 1999-2017, Southard Reid, London |
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A Robin Singing, 2011, Parapet Real Humans, St Louis |
| 2016 |
Hello, Hello, Hello, Maccarone, New York, NY |
| 2015 |
I Like Blue, Gallery Diet, Miami, FL |
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Untitled (Palettes: Naked, Tagged), 2013-14, Southard Reid, London |
| 2014 |
Ann Craven, Hannah Hoffman, Los Angeles, CA |
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TIME, Le Confort Moderne, Poitiers, France |
| 2013 |
Ann Craven, Maccarone, New York, NY |
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Hello, Hello, Hello, Southard Reid, London, UK |
| 2011 |
Summer, Southard Reid, London |
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Reims Moon #1, 39 Great Jones, New York, NY |
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Conceptual Romantic: Ann Craven, Conduits (IT), ReMap3, Kerameikos-Metaxourgeio, Athens, Greece |
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Ann Craven: New Works, Galerie Forsblom, Helsinki, Finland |
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Watercolors 2005-2010, Maccarone, New York, NY |
| 2010 |
Flowers, Maccarone Gallery, New York, NY |
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Ann Craven, Blancpain Art Contemporain, Geneva, Switzerland |
| 2009 |
Shadows Moon, CIAP, Hasselt, Belgium |
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Puff Puff, Conduits Gallery, Milan, Italy |
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Golden Swamp Warbler, Galerie LHK, Paris, France |
| 2008 |
Against the Stream, Sculpture Center, Long Island City, NY |
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Shadows Moon, Frac-Champagne-Ardenne; Reims, France |
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Snoom, Delaware Center for Contemporary Art, Wilmington, DE |
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Moon Birds, Knoedler & Co., New York, NY |
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Moon Birds, Shane Campbell Gallery, Chicago, IL |
| 2007 |
Deer and Beer LA, Mandrake, Los Angeles, CA |
| 2006 |
Ann Craven, Galerie Catherine Bastide, Brussels, Belgium |
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Ann Craven, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
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Deer + Beer, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
| 2005 |
Ann Craven, Angstrum Gallery, Dallas, Texas |
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A Poppy is a Poppy is a Poppy, The New York Horticulture Society, NY |
| 2004 |
After Nature, Marc Selwyn Fine Art, Domestic, Los Angeles, CA |
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Ann Craven, Galleria Paolo Curti / Annamaria Gambuzzi & Co., Milan, Italy |
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ANN CRAVEN, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
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This Way no This way, Aut Aut, Mario Diacono, Boston, MA |
| 2002 |
Ann Craven, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
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Ann Craven, Allston Skirt Gallery, Boston, MA |
| 1998 |
Ann Craven, Curt Marcus Gallery, New York, NY |
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Ann Craven, Gallery Ha Ha, Knoxville, TN |
| 1997 |
Ann Craven, Lauren Wittels Gallery, New York, NY |
| 1995 |
Ann Craven, Lauren Wittels Gallery, New York, NY |
SELECTED GROUP EXHIBITIONS
| 2025 |
Hello, the Roses, Curated by Julia Trotta, Hoffman Donahue and Marc Selwyn Fine Art,
Beverly Hills, CA |
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Cat People, La Galerie Centre D’Art Contemporain de Noisy-Le-Sec, France |
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A Certain Form of Hell, Karma 70 Main, Thomaston, ME |
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Friends in Both Places, Nicelle Beauchene, New York, NY |
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Trees Never End and Houses Never End, Sky High Farm, Germantown, NY |
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A Moveable Feast, Halsey McKay, Brooklyn, NY |
| 2024 |
A Spectacular Kind of Heaven, Karma 70 Main, Thomaston, ME |
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Dog Days of Summer, Timothy Taylor, New York, NY |
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Mother Lode: Material and Memory, James Cohan Gallery, New York, NY |
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A Study in Form (Chapter Two), James Fuentes Gallery, NY, NY |
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Lavinia, Hannah Hoffman Gallery, Los Angeles, CA |
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Animal Watch, 125 Newbury, New York, NY |
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New Landscapes II, Santa Barbara City College, Santa Barbara, CA |
| 2023 |
Drunk vs. Stoned 3, The Ranch, Montauk, NY |
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Last Days of Summer, Karma and Dear Advisory, Seoul, KOR |
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The Fantasticals, DIMIN, New York, NY |
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Group Portrait, Phillida Reid, London, UK |
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Wishing Well, Parker Gallery, Los Angeles, CA |
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Let The Sunshine In, Pilar Corrias, London, UK |
| 2022 |
BodyLand, curated by Lauren Taschen, Galerie Max Hetzler, Berlin, DE |
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Extensions Out, organized by Sanya Kantarovsky and Hannah Hoffman for Blank Forms, Luhring Augustine, New York, NY |
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Take Home a Nude, New York Academy of Art, New York, NY |
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La proie et l’ombre, Galerie Creveceour, Paris, FR |
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Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy, Organized by Phong H. Bui and Cal McKeever, Miguel Abreu Gallery, New York, NY |
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Sea Show, Winter Street Gallery, Edgartown, MA |
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Nothing is to be Done for William T. Wiley, Parker Gallery, Los Angeles, CA |
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When in Maine, Nina Johnson, Miami, FL |
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Symbiosis, Curated by Beth DeWoody, Berkshire Botanical Garden, Stockbridge, MA |
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The View from Here, CMCA, Rockland, ME |
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Unnatural Nature: Post-Pop Landscapes, Curated by Todd Broadway, Acquavella, New York, NY |
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New England Triennial, deCordova Sculpture Park & Museum and Fruitlands Museum, Boston, MA |
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Songs of Fire, Curated by JPW3 and Torie Zalben, Kranzberg Arts Foundation, St. Louis, MO |
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Stand with Ukraine, Hales, London, UK |
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My Reflection of You, Curated by Russell Tovey and Alexander Petalas, The Perimeter, London, UK
www.theperimeter.co.uk |
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Looking Back, Curated by Mary Manning, White Columns, New York, NY |
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Des Champs de Fraises pour L’éternité, Curated by Marc Bembekoff and It’s Our Playground, La Galerie, centre d’art contemporain de Noisy-le-Sec, FR |
| 2021 |
Friends & Family, Magenta Plains, New York, NY |
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Moons and Angels, Karma, 70 Main Street, Thomaston, ME |
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For the Birds, curated by Eddie Martinez, Harper's, East Hampton, NY |
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Expedition, Brattleboro Museum & Art Center, Brattleboro, VT |
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and I will wear you in my heart of heart, Flag Art Foundation, New York, NY |
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Day / Night, Phillida Reid, Auckland, NZ |
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Birds of the North East: Gulls to Great Auks, Fairfield University Art Museum, Fairfield, CT |
| 2020 |
Imperfect Clocks, CHART, New York |
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Mirror Gazing, THE PIT, Los Angeles |
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Contemporary Art + Design: New Acquisitions, Dallas Museum of Art, Dallas |
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(Nothing but) Flowers, Karma, New York |
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Materia Medica, Francois Ghebaly, Los Angeles |
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Decameron Day 2, Curated by Eric Ruschman, New Release Gallery, New York |
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UPLIFT, Xippas, Geneva |
| 2019 |
THE MOON: ETERNAL PEARL, Curated by Kate James and Kathleen O’Hara, Concord Center for the Visual Arts, Concord, MA |
| 2018 |
Of Purism, Curated by Charlap Hyman & Herrero, Nina Johnson, Miami, FL |
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Peindre la Nuit, Curated by Jean-Marie Gallais, Centre Pompidou-Metz, Metz, FR |
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Night, Tripoli Gallery, Southhampton, NY |
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Screen Door, curated by Hunter Braithwaite, Tops Gallery, Memphis |
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A Rose is a Rose is a Rose, curated by Nikki Malooff and Louis Fratino, Jack Hanley, New York |
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Sky Above Clouds, curated by Meredith Darrow and Olivia Davis, Performance Ski, Aspen |
| 2017 |
Pharmacy for Idiots, in association with Tanya Leighton, Rob Tufnell, Cologne |
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American Genre: Contemporary Painting, curated by Michelle Grabner, The Institute of Contemporary Art at Maine College of Art, Portland, ME |
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Coquet Mais Pas Trop, Ann Craven, Armand Jalut, Neil Raitt, curated by Marc Bembekoff, Centre d’Art Contemporain la Halle des Bouchers, Vienne FR |
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The Coverly Set, Sargent's Daughters, New York |
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The 45th Annual Kips Bay Decorator Show House, Billy Cotton Studio, New York |
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Lucky Draw 2017, Sculpture Center, Long Island City |
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A Birthday Present As A Watch, curated by Julia Trotta, Galerie Frank Elbaz, Paris
|
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Quicktime, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia
|
| 2016 |
Limited Edition Art Box, project curated by Wade Guyton, Meredyth Sparks, Josh Smith, University of Tennessee, School of Art, 2016 Editions/Artists Books Fair, The Tunnel, New York |
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Before Midnight, Karma, Amagansett NY
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A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles |
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Fresh Cuts, curated by Agathe Snow and Eric Firestone, Eric Firestone Gallery, East Hampton, NY |
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If Only Bella Abzug Were Here, curated by Tim Hawkinson, Marc Straus, New York |
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Bramson, Craven, Gronemeyer, Lutes, Mack, Molzan, Morley, Shane Campbell, Chicago IL
|
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The Good The Bad The Ugly Part 3, Gesso Artspace, Vienna |
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Imagine, Brand New Gallery, Milan, IT |
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BENE •F• ACTION, curated by Nicola Trezzi, Andrea Meislin Gallery, New York, NY |
| 2015 |
Structural Emotion, organized by Shane Campbell, Kimmerich, Berlin, DE |
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Saturn Drive, organized by Renaud Regnery, L40, Berlin, DE |
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New Space Grand Opening, Shane Campbell, Chicago |
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20th Anniversary Gala and Benefit, The Rema Hort Mann Foundation, New York |
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You Don’t Bring Me Flowers (The Mistress Project), 68Projects, Berlin |
| 2014 |
Benefit Auction, White Flag Projects, St Louis |
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Faire des Fleurs, curated by Camille Azaïs, Florence Loewy, Paris |
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Pressed Flowers, curated by Catherine Howe, Leslie Heller Workspace, New York |
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New Image Painting, Shane Campbell, Chicago |
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Ambulance Blues, curated by Erin Falls, Retrospective Gallery, Basilica, Hudson, NY |
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A Poem For Raoul And Agnes, curated by Sherman Sam, Ancient & Modern, London |
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Don’t Look Now, curated by Jesse Greenberg and MacGregor Harp, Zach Feuer, New York |
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Stars, a Bridge and Birds, Ann Craven and Marianne Vitale, curated by Yann Chevalier, Galerie Bernard Ceysson, Paris |
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Staging Interruptions (The Stream of Life), curated by Sarina Basta and Mary Reinbold, Southard Reid, London |
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Personal Space, Essex Flowers, New York |
| 2013 |
Cento, 2011-2013 Copertine d’Autore, La Triennale de Milano, Fondazione Corriere Della Sera, Milan |
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Island, curated by Sarina Basta, The Dairy Art Center, London |
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Beer, curated by Drew Heitzler, The Green Gallery, Milwaukee |
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Souvenir, curated by Lucie Fontaine, Galerie Perrotin, Paris, France |
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Station Identification, Michael Benevento, Los Angeles |
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The Cat Show, curated by Rhonda Lieberman, White Columns, New York |
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Femminile Plurale, curated by Sara Boggio, Galleria In Arco, Turin, Italy |
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The Amazing Shoemaker, Fairy Tales About Shoes and Shoemakers, Salvatore Ferragamo
Museum, Florence, Italy |
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39greatjones, curated by Ugo Rondinone, Eva Presenhuber, Zurich, Switzerland |
| 2012 |
Painting as a Radical Form, curated by Mario Diacono, Collezione Maramotti, Reggio Emilia, Italy |
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La Fête Est Permanente #4, FRAC Champagne-Ardenne 2011-12 Aquisitions, Museé de L’Ardenne, Charleville-Mézières, France |
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Estate, curated by Lucie Fontaine, Marianne Boesky, New York, NY |
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Sous Le Signe Du Cancer, curated by Olivier Mosset, Galerie des Multiples, Paris, France |
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Howling at the Moon, Dickinson Gallery, New York, NY |
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The Spirit Level, curated by Ugo Rondinone, Gladstone Gallery, New York, NY |
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Modern Talking, curated by Nicola Trezzi, Cluj Museum, Cluj, Romania |
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Just Ask Alice, curated by Amy Granat and Joao Simoes, Fitzroy Gallery, New York, NY |
| 2011 |
Painting . . . E X P A N D E D, curated by Marysol Nieves, Espacio 1414, Santurce, Puerto Rico |
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Four Rooms, curated by Ewa Gorządek, Helena Kontova, Giancarlo Politi, Nicola Trezzi, Centre For Contemporary Art Ujazdowski Castle [CSW Zamek], Warsaw, Poland |
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Heads with Tails, organized by West Street Gallery, Harris Lieberman, New York, NY |
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8 Americans, organized by Keith Mayerson, Maruani & Noirhomme Gallery, Brussels, Belgium |
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Chaos As Usual, curated by Hanne Mugaas, Bergen Kunsthall, Bergen, Norway |
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Kilkenny Arts Festival, Ireland, Organized by Josephine Kelliher, Rubicon Gallery, Dublin |
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Ying Yang Music, in collaboration w/ Peter Halley, curated by Amy Granat, Non-Objectif Sud, Tulette, France |
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The Medicine Bag, Organized by Ellen Langan and Jasmine Tsou, Maccarone, New York |
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Rituels, La Fondation d'entreprise Ricard, Paris, France |
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Painting Overall, Prague Biennale, curated by Giancarlo Politi and
Helena Kontova in collaboration with Nicola Trezzi, Czech Republic |
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A Painting Show, Curated by Laura Raicovich and Jessie Washburne-Harris, Harris Lieberman Gallery, New York, NY |
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The Great White Way Goes Black, Vilma Gold, London, UK |
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HYSTERIA, LAUGHTER AND A SENSE OF SERIOUSNESS, Conceived by Mareike Dittmer & Raphael Gygax, Karma International and Galerie Gregor Staiger, Zurich |
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Oh Deer!, Organized by Bk Projects, Drive-By, Watertown, MA |
| 2010 |
Neo Integrity: Comics Edition, curated by Keith Meyerson, Museum of Comic and Cartoon Art, New York, NY |
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Exhibition #3, organized by João Simões, Emily Harvey Foundation, New York, NY |
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Painting Panel Exhibition, Ann Craven, Peter Halley and Jon Pestoni, Shane Campbell Gallery, Chicago, IL |
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And So On, And So On, And So On…, organized by Matt Sheridan Smith, Harris Lieberman, New York |
| 2009 |
Picturing the Studio, curated by Michelle Grabner and Annika Marie, Sullivan Galleries, School of the Art Institute of Chicago, IL |
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Hello, Mr. McGrudder, Benson-Keys Arts, South Hampton, NY |
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No Bees, No Blueberries, curated by Sarina Basta and Tyler Colburn, Harris Lieberman Gallery, New York, NY |
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North Drive Press Benefit, White Columns, New York, NY |
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Collection of…Works from the collections of: Michael Clifton, Clarissa Dalrymple, Matt Keegan, Cary Leibowitz, Amie Scally and Linda Yablonsky, White Columns, New York, NY |
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Whitney Art Party, Whitney Museum of American Art, New York, NY, June |
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Constellations: Paintings from the MCA Collection, Museum of Contemporary Art, Chicago, IL |
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Farimani Fundraiser, Starr Space, Brooklyn, NY |
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XOXO, Apartment Show, New York, NY |
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Strip / Stripe, A project by Test, Emily Harvey Foundation, New York, NY |
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White Columns Xerox Edition, Shane Campbell Gallery, Oak Park, IL |
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If the Dogs are Barking, Apartment Show at Artists Space, New York, NY |
| 2008 |
Blank Complexity, curated by Karma International, Parisa Kind Gallery, Frankfurt, Germany |
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Catawampus (for H.D.), curated by Matt Keegan and Amy Granat, Midway Contemporary Art, Minneapolis, MN |
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Nov 5 – 26, 2008, by Joao Simoes, Emily Harvey foundation, New York, NY |
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Pretty Ugly, curated by Alison Gingeras, Maccarone Gallery, New York, NY |
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Tales of the Grotesque, curated by Gianni Jetzer, Karma International, Zurich, Switzerland |
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Fair Market, curated by Haley Mellin, Rental, New York, NY |
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You Said He Said She Said, Selier + Mosseri-Marlio Gallery, Zurich, Switzerland |
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Cinema Zero: Hangover/Bendover, curated by Amy Granat, White Flag Projects, St. Louis, MO |
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The Searchers, curated by Amoreen Armetta and Molly Dilworth, PNCA, Portland, Oregon |
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Thank You For Coming, Triple Candie 2001-2008, Triple Candie, New York, NY |
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Accidental Modernism, curated by Christopher Eamon; Leslie Tonkonow Artworks + Projects, New York, NY |
| 2007 |
Catawampus (For H.D.), curated by Matt Keegan + Amy Granat, Shane Campbell Gallery, Oak Park, IL |
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Birds, Dwight Hackett Projects, Santa Fe, NM |
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All Mirrors Are Broken, curated by Anthony Huberman, Galerie LHK, Paris, France |
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Joe Bradley, Ann Craven, Dana Frankfort, and Keith Mayerson, Zach Feuer Gallery, New York, NY |
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Warhol and…, Kantor/Feuer Gallery, Los Angeles, CA |
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Re-dis-play | Non-Art-Collections from Artists and Curators, curated by Anna-Catharina Gebbers, Heidelberger Kunstverein, Heidelberg, Germany |
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What We Do Is Secret, curated by Amy O’Neill, Blancpain Art Contemporain, Geneve, Switzerland |
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Small is Beautiful, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
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Orchids for Orchard, On the Collective for Living Cinema, presented by Cinema Zero, one night only (April 19), Orchard Gallery, New York, NY |
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Big Secret Cache, Angstrom Gallery, Los Angeles, CA |
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Girlpower & Boyhood, Solvberget, Stavanger Kulturhus, Stavanger, Norway |
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Cinema Zero Presents: Etceteras of the CarreRond (what comes is better than what came before), Collective Unconscious, New York, NY |
| 2006 |
CarreRond in Paris, Centre Culturel Suisse (CCS), Paris, France |
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The Kitchen and Cinema Zero Presents: an evening with Cinema Zero, Ann Craven in collaboration with Amy Granat and Dusty Santos, The Kitchen, New York, NY |
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Cotton Candy on a Rainy Day, curated by Shinique Smith, The Proposition, New York
|
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Bunch Alliance and Dissolve, organized by Public-Holiday Projects, Los Angeles/New York, and CAC–Contemporary Art Center, Cincinnati, OH |
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Girl Power & Boyhood, curated by Lene Burkard, Kunsthallen Brandts, Odense, Denmark |
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Girl Power and Boyhood, curated by Lene Burkard, Talbot Rice Gallery, University of Edinburgh, Scotland |
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Kamp K48, curated by Scott Hug, John Connely Presents, New York, NY |
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Cinema Zero presents: Blue Movies for Gray Flags, environment: Ann Craven, selection of short films with performances by Chuck Nanny, Fiamy, Sculpture Center, Queens, NY |
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New Work, curated by Tanja Grunert, Klemens Gasser & Tanja Grunert, Inc., New York, NY. |
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Cluster, organized by Katie Holten, presented at: Participant Inc., New York, NY; Sundown Salon (in association with Art 2102), Los Angeles, CA; FOUR, Dublin, Ireland; El Particular, Mexico City, Mexico |
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Birdspace: A Post-Audubon Artists Aviary, Tucson Museum of Art, Tucson, Arizona |
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Portraits, curated by Paul Morris & Marc Selwyn, Marc Selwyn Fine Art, Los Angeles, CA |
| 2005 |
Modest Sublime, curated by Leila Amalfitano, The Carpenter Center for the Arts, Harvard University, Cambridge, MA |
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Sports Illustrated, Islip Museum, New York, NY |
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The Kitchen High Line Block Party, Ann Craven: pet and people portraits, The Kitchen's 7th Annual 19th Street Block Party, New York, NY |
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Kamp K48 – The Zine Unbound, curated by Scott Hug, Yerba Buena Center For The Arts, San Francisco, CA |
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New Figuration, Galleri Christina Wilson, Copenhagen, Denmark |
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Flower Power, Klemens Gasser & Tanja Gruner, Inc., New York, NY |
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Neo-Baroque, curated by Micaela Giovannotti, Biblos Center for the Arts, Verona, Italy |
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The Thing That Separates Man From Animal, curated by Lisa Kirk, FlatOtel, New York, NY |
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Ciao! Manhattan: Recent Painting from New York, curated by Joseph R. Wolin, Perugi Arte Contemporanea, Padova, Italy |
| 2004 |
The Sixth Annual Altoids Curiously Strong Collection, The New Museum, New York, NY; Consolidated Works, Seattle, WA; Arthouse, Austin, TX; Luggage Store Gallery, San Francisco, CA; Pennsylvania Academy of Fine Art, Philadelphia, PA. |
|
Ann Craven and Keith Mayerson, curated by Lisa Kirk, Scope Art Fair, Miami, FL |
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Emo Eco, curated by Simon Watson/Scenic, Kavi Gupta Gallery, Chicago, IL |
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She’s Come Undone, curated by Augusto Arbizo, Artemis Greenberg Van Doren, New York, NY |
|
AC, Elizabeth Dee Gallery, New York, NY |
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The Collector’s Cabinet: for Marsha, organized by Simon Watson / Scenic, Marc Selwyn Fine Art at Domestic, Los Angeles, CA |
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Portraits, Esso Gallery, New York, NY |
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Birdspace: A Post-Audubon Artists Aviary, Norton Museum of Art, West Palm Beach, FL |
|
ANIMALS & US: The Animal in Contemporary Art, Galerie St. Etienne, New York, NY |
|
For the Birds, curated by Denise Markonish, catalogue essay by Michael Crewdson
ArtSpace, New Haven, CT |
|
Birdspace: A Post-Audubon Artists Aviary, curated by David Rubin, Contemporary Arts Center, New Orleans, LA |
| 2003 |
Out Law Series, New York, NY — http://www.theoutlawseries.com |
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You, curated by Lisa Kirk, 110 W 14th Street, New York, NY |
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Art|Basel, Klemens Gasser & Tanja Grunert, and Allston Skirt Gallery, Miami Beach, FL |
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Giverny, curated by Yvonne Force and Jeanne Greenberg Rohatyn, Salon 94, New York, NY |
|
City Mouse, Country Mouse, curated by David Hunt, Space 101, Brooklyn, NY |
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Mixer03: An Ornithological Group Show in All Media, Monique Meloche Gallery, Chicago, IL |
|
Summer Group Show, Allston Skirt Gallery, Boston, MA |
|
Gone Fishin’ in Provincetown, Allston Skirt Gallery, Provincetown, MA |
| 2002 |
Aviary, curated by Edward Thorp, Edward Thorp Gallery, New York, NY |
|
Art|Basel, Klemens Gasser & Tanja Grunert, Inc., and Flash Art, Art Basel, Miami Beach, FL |
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Pretty Paintings, curated by Sean Horton, The Model Gallery, Boston MA |
|
Hotel/Motel, 11 Artists with Studios in Harlem, Triple Candie, New York, NY |
|
Primal Screams and Songs, curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL |
| 2001 |
Many Moons, curated by Barbara Bloemink, Hammond Museum, North Salem, New York |
| 2000 |
Extraordinary Realities, curated by Annegreth Nill, Columbus Museum of Art, Columbus, OH |
| 1999 |
Heads Up, new acquisitions exhibition curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL |
|
Invitational White Columns benefit auction, White Columns, New York |
|
Group Exhibition, Curt Marcus Gallery, New York |
|
Ann Craven Studio Tour, to benefit The Coalition for the Homeless, Art Walk New York, NY |
| 1998 |
The Jewel-Box Project, curated by Patrick Gallery & Livet Richard, Ga Ga Gallery, New York, NY |
|
Group Exhibition and Auction, to benefit the New York Coalition for the Homeless, Art Walk New York, NY |
|
Visiting Artist Biennial, TN Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN |
| 1997 |
Group Show, curated by Michael Jenkins, Wooster Gardens, New York, NY |
|
Guadalajara Art Fair, Guadalajara, Mexico. |
|
Gay Men’s Health Crisis, sponsored by David Geffen, New York Hospital, NY |
|
Summer Invitational Exhibition, Curt Marcus Gallery, New York, NY |
|
Invitational Exhibition, curated by Milena Kanovska, Provincetown Art Museum, Provincetown, MA |
| 1996 |
Invitational Benefit Auction and Exhibition, White Columns, New York, NY |
|
Time Wise, curated by Carin Kuony, The Swiss Institute, New York, NY |
|
Rosenthal Foundation Young Painter Prize, exhibition juried by Chuck Close, Charles Gwathmey, Nathan Oliveira, and Robert Ryman, American Academy of Arts and Letters, New York; work by newly elected members & recipients of honors and awards; awarded Rosenthal Foundation Young Painter Prize |
|
Three Painters, Lauren Wittels Gallery, New York, NY |
SELECTED PUBLIC COLLECTIONS
|
Portland Museum of Art, Portland, ME |
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Santa Barbara Museum, Santa Barbara, CA |
|
SCAD Museum, Savannah, GA |
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Farnsworth Art Museum, Rockland, ME |
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Colby College Museum of Art, Waterville, ME |
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U.S. Department of State, United States Embassy, Colombo, Sri Lanka |
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Booth School of Business, University of Chicago, Chicago, IL |
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Perez Art Museum Miami, Miami, FL |
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Hammer Museum, Los Angeles, CA |
|
Dallas Museum of Art, Dallas, Texas |
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LeRoy Neiman Center for Print Studies, Columbia University, New York, NY |
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Le Confort Moderne, Poitiers, France |
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Institute of Contemporary Art, Miami, FL |
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Perez Art Museum Miami, Miami, FL (promised gift) |
|
The New Museum of Contemporary Art, New York, NY |
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The Whitney Museum of American Art, New York, NY |
|
MCA – Museum of Contemporary Art, Chicago, Illinois |
|
MoMA – Museum of Modern Art, New York, NY |
|
FRAC Champagne-Ardenne, Reims, France |
|
MoCA – Museum of Contemporary Art, North Miami, Florida |
|
Henry Art Gallery, Faye G. Allen Center for the Visual Arts, Seattle, Washington |
EDITIONS
| 2025 |
2025 White Columns Print Portfolio, Five individual silkscreen prints by Ann Craven, Rachel
Harrison, Sam McKinniss, Arthur Simms, Tabboo! Ann Craven, Moon (July Quiet), 100 + 10
APs, 10 HCs, 2PPs, 20 × 14 in. |
|
Little Yello Fello, Edition of 50 + 9 APs + 4 HCs + 4 PPs, 28 x 20 inches (71 x 51 cm), silk
screen on somerset satin, white 300 gsm, published by Lococo Fine Art, 2025 |
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Red Song, Edition of 50 + 8 APs + 4 HCs + 4 PPs, 60 x 43 inches (152.4 x 109.22 cm), silk screen on
somerset satin, white 300 gsm, published by Lococo Fine Art, 2025 |
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Ann Craven X J.CREW, Capsule collection, produced by J.CREW, 2025 |
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Painted Time, 2025, Edition of 1,850 cotton scarves, 20 x 20 in, produced by Ann Craven and the KHR McNeely Family Foundation, 2025 |
| 2024 |
Quiet Moon, Edition of 75, 33.5 x 27 inches (85.09 x 68.58 cm), 7 color lithograph on Somerset satin, white 300 gsm, published by JRP Editions, with Karma 2024 |
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Bleeding Heart Fade, Edition 12 unique monotypes, monotype on somerset satin, white 300 gsm, 28.06 x 21.62 inches (71.27 x 54.92 cm), published by JRP Editions with Karma, 2024 |
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Full Lovers Moon, Edition of 6 unique monotypes, monotype on somerset satin, white 300 gsm, 22 x 21.62 inches (55.88 x 54.92 cm), published by JRP Editions with Karma, 2024 |
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Dahlia’s (For The Pink Moon), Edition of 11 unique monotypes, monotype on somerset satin, 300 gsm, 22 x 21.5 inches (55.88 x 54.61 cm), published by JRP Editions and Karma, 2024 |
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Big Moon (Blue Night, Pink Glowing Trees, August, Cushing), 2021, 2021, Edition of 75 silk scarves + 75 Aps +20 PPs, 84.25 x 72.25 inches, (152 x 130 cm), produced by Massif Central in collaboration with The Portland Museum of Art, with support from the KHR McNeely Family Fund, 2024 |
| 2023 |
Sunset Moon Bird, 2023, Edition of 100 + 20 APs + 5 PPs, 18 color screenprints on Somerset Velvet Warm White 400 gsm , published by Counter Editions, 2023 |
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Peach Moon (Full Lover’s Moon, Red Trees, Cushing), 2023, Edition of 15 prints, +8 APs + 4 PPs, archival inkjet, deckled edge, published by McLennon Pen Co., 2023 |
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Portrait of a Robin I (Looking, After Picabia), 2023, Edition of 75 silk scarves, 71 x 51 in (130 x 180 cm), produced by Ann Craven and the Farnsworth Art Museum and Massif Central Editions, 2023 |
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Portrait of a Robin I (Looking, After Picabia), 2023, Edition of 60 prints + 10 APs, 9 color screen print on Coventry rag paper, published by Ann Craven and the Farnsworth Art Museum and Kayrock Screenprinting, 2023 |
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Sunset Moon Bird, 2023, Edition of 100 prints + 20 APs, + 3 PPs, 16 color screen print on 400gsm paper, produced by Ann Craven and Counter Editions, 2023 |
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Bahama Swallows, 2023, Edition of 50 prints + 10 APs, 8 color screen print on Coventry rag paper, 30 x 22 inches, Published by Ann Craven and Karma, 2023 |
| 2021 |
Moon Poems, Edition of 60, Watercolor on Arches paper 140lb, 6 x 5 ½ inches, hand painted by Ann Craven, 2021 |
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Portrait of Two Birds (After Picabia), Edition of 100 silk scarves, 51 x 51 inches (130 x 130 cm), produced by Massif Central Editions, April 2021 |
| 2020 |
Ann Craven: color me, Semiose éditions, 2020, 24 pages, 8 ¼ x 5 ¾ inches, ISBN 978-2-37739-049-6 |
| 2019 |
Ann Craven: Birds We Know, Special Edition, published by Center for Maine Contemporary Art, Rockland, ME ©2019 and Ann Craven, Edition of 50, signed and numbered with hand painted cover |
| 2018 |
Ann Craven, Special Edition (monograph), Karma, New York ©2018; 560 pages, hardcover, 9 1/4 × 7 1/2 inches; Edition of 100, signed and numbered with hand painted cover; Includes unique 8 1/2 x 6 3/4 inch drawing on paper |
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ANN CRAVEN SPECIAL EDITION, 560 pages, edition of 100, signed and numbered with hand painted cover, includes unique 8 1/2 x 6 3/4 inch drawing on paper, KARMA, New York, 2018 |
| 2016 |
LIMITED EDITION ART BOX, digital print (archival inks on Epson Bright Smooth Matte archival paper), 19” x 13”, edition of 100, UNIVERSITY OF TENNESSEE, SCHOOL OF ART, 2016 |
| 2015 |
Pensée #41, 2015, Inkjet print onf archival Epson enhanced matte paper, 135 gsm; 28 ¾ x 19 3/8 in (73.025 x 49.2125 cm); Edition of 10 with 4 AP’s; Numbered, titled and signed by the artist
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Pensée (Reims, France, April 17, 2008), 2015, Inkjet print on archival enhanced matte paper, 135 gsm, 30 ¾ x 21 3/8 in (78.105 x 54.29 cm); Edition of 30 with 7 AP’s and 7 P/P’s; Numbered, titled and signed by the artist
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Pensée (Reims, France, June 24, 2008), 2015, 2015, edition of 50 + 3 AP's + 2 PP's, inkjet print on archival paper, 60 x 40 cm; Edition Galerie des Multiples, Paris; signed and numbered by the artist, 2015 |
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Pensee (Reims, France, Sept 18, 2007), 2015, 2015, edition of 50 + 3 AP's + 2 PP's, inkjet print on archival paper, 60 x 40 cm; Edition Galerie des Multiples, Paris; signed and numbered by the artist, 2015 |
| 2014 |
Golden Young Buck Poitiers, 2014, edition of 52, silkscreen print on 300 gr cotton paper, 13 3/4 x 13 1/8 in (35 x 33.5 cm); 5 Artist Proofs (AP), 5 Printer's Proofs (PP), 5 Le Confort Moderne Proofs (CMP); signed and numbered by the artist, published by Ann Craven and Le Confort Moderne, 2014 |
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Pensée for Le Confort Moderne, 2014, edition of 50, inkjet print on archival paper, 28 3/4 x 19 3/8 in (73.2 x 49.2 cm); 4 Artist Proofs (AP); signed and numbered by the artist, published by Ann Craven and Le Confort Moderne, 2014 |
| 2013 |
11,000 Magenta Mistakes (100 Portfolios) 2008 – 2013, 4 offset prints, 45 x 32 cm each, in a silkscreen portfolio, 48 x 38 cm each, Edition of 100, Numbered and Signed, Published by Ann Craven and FRAC Champagne-Ardenne, 2013 |
| 2012 |
16,000 Mistakes (100 Portfolios) 2008 – 2011, 4 offset prints, 45 x 32 cm each, in a silkscreen portfolio, 48 x 38 cm each, Edition of 100, Numbered and Signed, Published by Ann Craven and FRAC Champagne-Ardenne, 2012 |
| 2011 |
Chow Benefit Print, 2 Color Woodcut Print, 15 x 11 in, Edition of 75, The Leroy Neiman Center For Print Studies, 2011 |
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Silhouette Bird (Blue), Reduction Woodblock Print, 30 x 33 1/2 in, Edition of 4, The Leroy Neiman Center For Print Studies, 2011 |
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Silhouette Bird (Pink), Reduction Woodblock Print, 30 x 33 1/2 in, Edition of 4, The Leroy Neiman Center For Print Studies, 2011 columbia.edu |
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Pink Bird With Cherries (Blue), Reduction Woodblock Print, 30 x 33 1/2 in, Edition of 12, The Leroy Neiman Center For Print Studies, 2011 columbia.edu |
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Pink Bird With Cherries (Pink), Reduction Woodblock Print, 30 x 33 1/2 in, Edition of 12, The Leroy Neiman Center For Print Studies, 2011 columbia.edu |
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Ann Craven, Art Production Fund, Dorado Beach Resort, Puerto Rico |
| 2009 |
Ann Craven, Heart of Gold (#1&2), 2009, Xerox print, edition of 50 + 10 APs, 2 prints - 11 (h) x 8 1/2 (w) in. each, White Columns Xerox Editions, White Columns, New York, NY |
LECTURES, HONORS, & AWARDS
| 2025 |
Public Lecture, Artists in Conversation – Ann Craven and Jay Stern, Portland Museum of Art, Portland, ME |
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Maine in America Award 2025, presented by the Farnsworth Art Museum, July 18, 2025, Rockland, ME |
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Visiting Artist, Skowhegan, School of Painting & Sculpture, Skowhegan, ME |
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Public Lecture, Painted Time:Moons (Laboratory), with Anne Goodyear, Bowdoin College Museum of Art, Brunswick, ME |
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Public Lecture, Painted Time: Moons (Laboratory) - Gallery Talk with co-curator Jay Sanders, Bowdoin College Museum of Art, Brunswick, ME |
| 2024 |
Panel Discussion, Long Nights Moon, with Ian Alteveer, The Quin House, Boston, MA |
| 2023 |
Panel Discussion, Night, with Susan Howe, moderated by Daniel Palmer, Karma, New York, NY |
| 2022 |
Final Reviews Critic, Yale School of Art, New Haven, CT |
| 2015 |
Visiting Artist and Lecture, Pennsylvania Academy of the Fine Arts – PAFA, November 12, 2015 |
| 2014 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2013 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
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Visiting Artist and Lecture, Rutgers University, New Brunswick, NJ |
| 2012 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2011 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2010 |
Graduate Mentor, Columbia University, New York, NY |
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Visiting Lecturer, School of Visual Arts, New York, NY |
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Visiting Lecturer, Rutgers University, New Jersey |
| 2009 |
Interlink Visiting Artist Program, School of the Art Institute of Chicago, Chicago, IL |
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Critical Dialogues Lecture Series, Tyler School of Art, Philadelphia, PA |
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Visiting Lecturer, New York Studio School, New York, NY |
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Panel Discussion, organized by Michelle Grabner, CAA, Chicago, IL |
| 2008 |
Visiting Artist and Public Lecturer, Graduate School of the Arts, Pacific Northwest College of Art, Portland, OR |
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Visiting Artist and Public Lecturer, Graduate School of the Arts, Maryland Institute College of Art, Baltimore |
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Visiting Artist and Public Lecture, Massachusetts Institute of Technology, Center For Advanced Studies, Cambridge |
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Panel Discussion, Repetition, with Tony Conrad, Leslie Hewitt and Haim Steinbach; Moderated by Matt Keegan, organized by Bianca Beck and Josh Brand, Yale University School of the Arts, New Haven, CT |
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Visiting Artist Lecture Series, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2007 |
Visiting Artist and Public Lecture, Graduate School of the Arts, New York University, NY |
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Visiting Artist and Public Lecture, Graduate School of the Arts, University of Tennessee, Knoxville |
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Lecture Undergraduate Critique, Columbia University, New York, NY |
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Artist in Residence, Frac –Champagne-Ardenne, Reims, France |
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Visiting Artist and Public Lecturer, Graduate School of the Arts, School of the Art Institute of Chicago, IL |
| 2005 |
Public Lecture, Cranbrook Academy Graduate School of the Arts, Bloomfield Hills, MI |
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Public Lecture, Triple Candie, New York, NY |
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Public Lecture, Graduate Program, Hunter College, New York, NY |
| 2004 |
Public Lecture, Museum of Fine Arts, Boston, MA |
| 2003 |
The Sixth Annual Altoids Curiously Strong Collection, New York, NY |
|
Best Monographic Show in a Commercial Gallery, International Association of Art Critics, USA (AICA New England), Allston-Skirt Gallery, Boston, MA |
| 2001 |
Artist Fellowship Grant and Artist Residency, Art Production Fund and The Lawrence Rockefeller Foundation, Foundation Claude Monet, Academie des Beaux-Arts, Giverny, France |
|
Visiting Artist Lecture, Graduate Painting Department, Rutgers University, NJ |
| 1999 |
Artist in Residency and Lecture, University of Tennessee, Knoxville, TN |
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Visiting Artist and Lecture, Tisch School for the Arts, Painting Program, New York University |
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Artists Fellowship Award, Salmagundi Foundation, New York, NY |
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CHANGE Grant, Robert Rauschenberg Foundation, New York, NY |
| 1997 |
Rosenthal Foundation Young Painter Prize, American Academy of Arts and Letters |
SELECTED BIBLIOGRAPHY
| 2025 |
Painted Time: Ann Craven (2020-2024), Contributions by Christopher J. Brownawell, Anne Collins Goodyear. Conversation between Jaime DeSimone and Ann Craven. Farnsworth Art Museum, 2025 |
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New York Times, A Painter Famed for Recreating What She Lost, in the Spotlight By Julia Halperin April, 24, 2025 |
| 2023 |
Schultz, Charles, Ann Craven: Night. Brooklyn Rail. December 20, 2023 |
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Sweeten, Natasha, Ann Craven’s wistful nighttime tales. Two Coats of Paint. November 15, 2023 |
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Ann Craven: Twelve Moons, monograph published by Karma Books, New York © 2023 Ann Craven, Text by Daniel S. Palmer, Rainer Diana Hamilton, Ariana Reines, and SCAD Museum of Art |
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Lindquist, Greg., Ann Craven: Twelve Moons, Brooklyn Rail, April 2023 |
| 2022 |
Chow, Vivienne., Hot Lots: 5 Female Artists Art Buyers Adored at Hong Kong’s Autumn Day Sale, Artnet, December 8, 2022 |
|
Ann Craven, Reggie Burrows Hodges: Moons and Angels, Contributions by Susan Howe and Christopher Crosman, Karma, New York, 2022 |
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Pogrebun, Robin., Artists of Color and Women Soar at Christie’s 21st Century Sale, NY Times, May 10, 2022 |
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‘Eagles’ eyes for excellence’: the shared vision of Thomas and Doris Ammann, Christie’s, May 9, 2022 |
| 2021 |
Rhodes, David., Ann Craven: Animals Birds Flowers Moons. Brooklyn Rail, April 28, 2021 |
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Ziots, Megan. , One of New York City’s Most Famous Galleries Presents a Special Exhibit at The Joule in Dallas, Paper City Magazine, November 2, 2021 |
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Crossman, Christopher. , Moon and Angels Over Thomaston, Part II. The Free Press, August 24, 2021 |
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Crossman, Christopher., Moon and Angels Over Thomaston, Part I. The Free Press, August 10, 2021 |
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Ann Craven at KARMA, Contemporary Art Daily, April 26, 2021 |
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Seeger, Zach., Hanging on for dear life: Ann Craven at Karma, Two Coats of Paint, April 20, 2021 |
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Creahan, D. , New York – Ann Craven: “Animals Birds Flowers Moons” at Karma, Art Observed, April 14, 2021 |
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Clavarino, Elena., Ann Craven: Animals Birds Flowers Moons, Air Mail, April 2021 |
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Ludel, Wallace. and Angeleti, Gabriella., Three exhibitions to see in New York this weekend: From Ann Craven at Karma to Madeline Hollander at the Whitney, The Art Newspaper, March 26, 2021 |
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Ann Craven: Animals Birds Flowers Moons, Texts by Durga Chew-Bose, Keith Mayerson, Interview with Lois Dodd, Karma, New York, 2021, ISBN 978-1-949172-60-7 |
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Jacobs, Laura., In Top-Flight Form, An exhibit combines scientific study and artistic interpretation, The Wall Street Journal, February 11, 2021, p.A13 |
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CMCA Hosts Online Benefit Auction ‘Art You Love’, The Free Press, February 9, 2021 |
| 2020 |
Oregon ArtsWatch, The allure of interconnection, December 7, 2020 |
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The Brooklyn Rail, (Nothing but) Flowers, September 2020 |
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Art & Object, 3 Los Angeles Exhibitions Exploring the Nature of Things, August 28, 2020 |
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Dallas Weekly, Dallas Museum of Art Debuts New Acquisitions in New Exhibition Contemporary Art + Design, August 13, 2020 |
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Hyperallergic, Artists Quarantine With Their Art Collections, August 1, 2020 |
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New York Magazine, 3 Design Happenings To Check Out Next Week: An Online Auction, April 30, 2020
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Artnet News, 'Everyone Is In A State of Panic Right Now': 7 Mid-Career Artists on How They Are Facing the Enormous Challenges of the Coronavirus Pandemic’, April 15, 2020 |
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Galarie Magazine, Jonas Wood and Ann Craven Transform Children’s Hospitals With Whimsical Art, February 4th, 2020 |
| 2019 |
Marfa Journal, Marfamily #5, Lois Dodd Interviewed by Ann Craven, December 29, 2019 |
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Extraordinary Paintings of Ordinary Birds, Hyperallergic, September 7, 2019 |
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Ann Craven at Center for Maine Contemporary Art, Contemporary Art Daily, September 3, 2019 |
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Ann Craven: Birds We Know, published by Center for Maine Contemporary Art, Rockland, ME ©2019 and Ann Craven |
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Ann Craven finally shows the midcoast what she’s been painting, Portland Press Herald, May 26, 2019 |
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Where to Invest $1 Million in Art Right Now, Bloomberg, May 2, 2019 |
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Museums look at the legacies of 2 Maine art colonies, Portland Press Herald, April 28, 2019 |
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To Capture the Memory of Light: A Review of Ann Craven’s “Promise (Birds for Chicago)”, Newcity Art, April 19, 2019 |
| 2018 |
Choate, Canada. Artful Volumes, Bookforum Contributors On The Season’s Outstanding Art Books, Bookforum, December, 2018 — January, 2019 |
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At the Galleries, The Southampton Press, Arts & Living, October 4, 2018 |
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Hamilton, Diana, Ann Craven, Frieze Magazine, Reviews, p. 266, Edition No. 198, October, 2018 |
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Mitchell, Marc, Four Contemporary Painters at Tops Gallery in Memphis, Burnaway, Art Review, September 4, 2018 |
|
ANN CRAVEN, essays by David Salle, Sarah French,
and Dana Miller, published by KARMA, New York ©2018 and Ann Craven, ISBN 978-1-949172-01-0 |
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The house of Missoni, The Sydney Morning Herald, August 24, 2018 |
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Talbot, Lindsay, Ann Craven: Inside Angela Missoni’s Rainbow-Colored World, The New York Times Style Magazine, p. 116-118, August 14, 2018 |
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Hamilton, Diana, Ann Craven’s Changing Scenes of the Continuous ‘Just Past’, Frieze, August 13, 2018 |
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Ann Craven at Karma, Contemporary Art Daily, July 28, 2018 |
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Rhodes, David, Ann Craven: Sunset Moon, Brooklyn Rail, July 11, 2018 |
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Cohen, Alina, The Artists Who Have Made the Night Sky Their Muse, Artsy Magazine, June 7, 2018 |
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Gordienko, Alexandra. Ann Craven, Marfa Journal, p. 296-311, March, 2018 |
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Boucher, Brian. Connoisseur-Worthy Highlights From the ADAA’s 30th Anniversary Art Fair, Artnet News, February 28, 2018 |
| 2017 |
Pharmacy for Idiots at Rob Tufnell, Contemporary Art Daily, September 26, 2017 |
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Frankel, Eddy. Ann Craven: Animals 1999-2017, TimeOut London, June 2017 |
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Ann Craven at Southard Reid, Contemporary Art Daily, June 1, 2017 |
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Jones, Eliel. Ann Craven, Southard Reid, London, Artforum, Critic's Picks, April 2017 |
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Hunter, Becky Huff. Quicktime: Fast, Casual Painting in Philadelphia, Two Coats of Paint, April 17, 2017 |
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Mir, Stan. Painting Isn’t Dead! Its Just Slow, Hyperallergic, April 8, 2017 |
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Newhall, Edith. Women in the Abstract, Philadelphia Inquirer, April 2, 2017 |
|
A Birthday Present as a Watch at Galerie Frank Elbaz, Paris, Blouin ArtInfo, March 23, 2017 |
| 2016 |
Basta, Sarina, Ann Craven. Flash Art. May 16, 2016 |
|
Josh Smith / Ann Craven, Flash Art, November 23, 2016 |
|
Ann Craven at Maccarone, Contemporary Art Daily, February 23, 2016 |
|
Wilson, Michael., Ann Craven, Time Out New York, February 17 – March 1, 2016 |
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Halle, Howard., The Top 10 Flower Paintings of All Time, Time Out New York, February 18, 2016 |
|
Consumer Reports: Ann Craven, ArtNews, February 10, 2016 |
| 2015 |
Ann Craven: TIME, published by Le Confort Modern, Poitiers, France ©2015 and Ann Craven, ISBN 2-908252-54-5 |
|
Freeman. Nate, The Young Curator Bringing the Lower East Side to the West Coast, Art Matters, The New York Times, July 30, 2015 |
|
Ann Craven: Untitled (Palettes, Moons, Birds, Flowers), 2014, published by Ann Craven Studio, New York ©2015 |
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Ann Craven: Untitled (Palettes: Naked, Tagged), 2013-14, published by Ann Craven Studio, New York ©2015 |
| 2014 |
Faire des Fleures at Florence Loewy, Paris, Mousse, December 7, 2014 |
|
Ann Craven, across many moons, by Christopher Knight, Los Angeles Times, December 4, 2014 |
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A Conversation with Ann Craven, by Ashley Garrett, FIGURE / GROUND, November 28, 2014 |
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Lee, Andrea. Style Dynasty, W Magazine, September 29, 2014 |
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Ann Craven at Confort Moderne, Contemporary Art Daily, August 25th, 2014 |
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Group Show at Zach Feuer, Contemporary Art Daily, August 8, 2014 |
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Butler, Sharon. New Image Painters Challenge Zombie Formalists, Two Coats Of Paint (twocoatsofpaint.com), August 4, 2014 |
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Don’t Look Now, Time Out, New York, Jul 8, 2014
|
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Boggio, Sara. Ann Craven: Nature and Time, Artribune, June 10, 2014 |
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Less Playboy Is More Cowboy #5 – Report, Concerts / Expositions / Performances, Le Confort Moderne, Poitiers, Jun 6, 2014 |
|
Festival Less Playboy is more Cowboy 2014 à Poitiers, TV France 3 Poitou-Charentes, May 2014 |
| 2013 |
Ann Craven at Maccarone, Contemporay Art Daily, Week in Review, December 7th, 2013 |
|
Yablonsky, Linda. Moments Like These, Scene & Herd, Artforum.com, November 14, 2013
|
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Reinbold, Mary Margaret. Ann Craven, Southard Reid, London, Flash Art, International Edition, no. 293, November–December 2013 |
|
Blake, Robin. Island, Dairy Art Centre, London – Review, Financial Times, FT.com/Arts, October 16, 2013 |
|
Ann Craven, Pensée, La Lettura (Cover) #93, Corriere della Sera, Milan, September 1, 2013 |
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Ann Craven: Pensée, published by Karma and Maccarone Gallery, New York, 2013, ISBN 978-1-938560-02-6 |
|
Ann Craven, Portfolio, Art In America, June-July, 2013 |
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Paparoni, Demetrio. Ann Craven, Birds, Deers, Cats and Flowers, Arte Al Limite, p. 40, May—June 2013 |
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Boggio, Sara. Femminile Plurale, Ann Craven, In Arco Books, Galleria In Arco, Turin, Italy, 2013 |
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The Estate of Lucie Fontaine, edited by Veronica Levitt and Nicola Trezzi, published by Marianne Boesky Gallery, New York, 2013, ISBN 978-0-9882752-4-9 |
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FRUCHTIG, Die Frucht in der bildenden Kunst des 20. und 21. Jahrhunderts, catalogue published by Stiftung fur Fruchtmalerei und Skulptur, Heidelberg, 2013 |
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Paparoni, Demetrio. Ferragamo Il Calzolaio, Una Grande Mostra a Firenze, Artribune, April 2013 |
|
The Amazing Shoemaker, edited by Stefania Ricci, Museo Salvatore Ferragamo, published by SKIRA Editore, Milan, 2013, ISBN 978-88-572-1928-8 |
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39greatjones, exhibition catalogue designed by ACRUSH, published by Galerie Eva Presenhuber, Zurich, 2013 |
| 2012 |
Grabner, Michelle. On Painting, with an essay by Ann Craven, Poor Farm Press, Manawa, Wisconsin, 2012 |
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Pini, Francesca. Che cosa sta preparando Ann Craven, Atelier D’Artista, Sette, Corriere Della Sera, Milan, December 7, 2012 |
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Wolin, Joseph R., ‘Wade Guyton “OS”, Whitney Museum of American Art’, Time Out New York, October 24, 2012 |
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Diacono, Mario. Archetypes and Historicity, Painting and Other Radical Forms 1995-2007, "Painting as Re-Production" Page 214, Silvana Editoriale (Cinisello Balsamo, Milano), 2012 |
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P. Capelli, Le forme radicali della pittura americana alla Collezione Maramotti, Arte, October 2012 |
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Yablonsky, Linda. Treasure Island, Yablonsky, Linda. Treasure Island, Scene & Herd, Artforum.com, May 4, 2012 |
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Boucher, Brian. Trailing Public Art Fund’s Nicholas Baume Through Frieze, News, Art in America, May 04, 2012 |
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Rosenberg, Karen. Tapping Pyschic Undercurrents, The New York Times, April 13, 2012 |
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Heinrich, William. Material World, The New York Observer, April 2, 2012, p. B5 |
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Trezzi, Nicola. The Show Also Known As…, Arta: Revista de Arte Vizuale, April 2012 |
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Walleston, Aimee. At Gladstone, Ugo Rondinone Celebrates Solitary People, Art in America, March 28, 2012 |
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Yablonsky, Linda. The Rondinone Spirit, T Magazine, March 27th, 2012 |
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Russeth, Andrew. Spring Arts Preview, Top 10 Gallery Shows for Spring 2012, Galeristny.com, March 13, 2012 |
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Rappolt, Mark. Ann Craven: Summer at Southard Reid, Reviews Marathon, Art Review, p. 105, Issue 56, January-February, 2012 |
|
Sherman, Sam. Ann Craven at Southard Reid, Critic's Picks, Artforum.com, January 1, 2012 |
| 2011 |
Carey-Kent, Paul. Latest News Article, The London Galleries In December With Paul Carey-Kent, Artlyst.com, December 1, 2011 |
|
Sutton, Kate. Quick Fix, Scene & Heard, Athens, Artforum.com, September 20, 2011 |
|
Latimer, Quinn. Hysteria, Laughter and a Sense of Seriousness, Art Review, p. 128, Issue 50, May 2011 |
|
McQuaid, Cate. Oh Deer, Galleries, The Boston Globe, Arts, March 23, 2011 |
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Ann Craven at Maccarone, Contemporary Art Daily, February 7, 2011 |
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Yablonsky, Linda. Hats Off, Scene & Heard, Artforum.com, January 11, 2011 |
| 2010 |
Craven, Ann. Their Favorite Exhibition of the Year, The Artists’ Artists, p.102, Artforum, Vol. XLIX No. 4, December 2010 |
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Pollack, Barbara. Ann Craven, Maccarone, ARTnews, p. 113, Vol. 109, No. 8, September 2010 |
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Diacono, Mario. Iconography and archetypes: the form of the painting, 1985 – 1994, Silvana Editoriale, Cinisello Balsamo, Milano, 2010 |
|
Galleries – Downtown, Ann Craven, p. 29, The New Yorker, June 14 & 21, 2010 |
|
Trembley, Nicolas. Ivre de Peinture, Interview, Portrait by Martha Camarillo, Numero Magazine, p. 34-36, June 2010 |
|
Teller, Jurgen. Missoni, Summer Campaign Catalogue, 2010 |
|
Ann Craven ‘Flowers’, Critics Pick, p. 58, Time Out New York, May 6-12, 2010 |
|
Basta, Sarina. Ann Craven, Painting To Its Bare Essence, Cover and Feature Article, p. 76-79, Flash Art, Vol. XLIII, No. 272, May - June 2010 |
|
School of the Art Institute of Chicago Presents “Picturing the Studio”, Artdaily.org, February 2010 |
| 2009 |
Cortassa, Guia. Review of “Puff Puff” at Conduits/Gea Politi, FlashArt, p. 101, November/December 2009 |
|
Craven, Ann. “On Broodthaers: Jota Castro, Ann Craven, Seth Price, Renee Green, Christian Philipp Muller”, Feature article, FlashArt, p. 60-62. November/December 2009 |
|
Pollers, Peter. Shadows Moon at CIAP, Hassalt, Belgium, Sculpture Center Curators’ Notebook, September 16, 2009 |
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Artist’s Dictionary, Flash Art Online, August 20, 2009 |
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Ann Craven, Artists Talk, MIT Tech TV (2009), Retrieved 10 August 2009 from MIT |
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ANN CRAVEN, SHADOWS MOON AND ABSTRACT LIES, Monograph Published by JRP/Ringer, Zurich, 2009 |
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Review of No Bees, No Blueberries at Harris Lieberman, Sculpture Center Curators’ Notebook, Jun 22, 2009 |
|
Missoni, Angela. Designer’s It List, Vogue, Japan, no.116, p. 349, April 2009 |
|
While you were sleeping… Art in America Re-Launch, Interview Magazine, March 2, 2009 |
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New Monograph, V magazine, no. 57, spring review, 2009 |
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“Catawampus (for H. D.)” at Midway Contemporary Art, Contemporary Art Daily, February 4, 2009 |
|
Opening Photos of Ann Craven at Galerie LHK, Picks and Reviews, Art Slant [Paris], January 11, 2009 |
| 2008 |
Trezzi, Nicola. A Flashy Art Christmas – Nicola Trezzi on a series of arty gifts, Whispers and Murmurs, Flash Art online, December 2008 |
|
Keegan, Matt. (ed.) Catawampus, Exhibition Catalogue, Midway Contemporary Art, Minneapolis, 2008 |
|
Smith, Josh and Craven, Ann. Let’s Get This Done, Flash Art, Vol. XLI, No. 263, November/December 2008 |
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Baker, R. C. Implant, The Village Voice, September 10, 2008 |
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Riff
, Joël. Ann Craven, Curiosité, Semaine 33, August 2008 |
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Esplund, Lance. Natural Beauty, Unnatural Balance, The New York Sun, August 7, 2008 |
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Pollack, Barbara. Pretty Ugly, Time Out New York, Issue 671, Aug 7–13, 2008 |
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Hochdörfer, Achim. and Smith, Josh. (ed.) Image, bird for 16,000 mistakes,, Josh Smith: Hidden Darts Reader, MUMOK – Museum Moderner Kunst, Vienna, p. 79, 2008 |
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Pardessus, Antoine.
Art contemporain : Aux Clairs de la Lune, L’Union, 17 July 2008 |
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Feltrin
, Katia. Lunatique, Ann Craven: Shadow’s Moon au Frac Champagne-Ardenne, Mouvement, July 2008 |
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Schreckengast, Heather L., Traditional Design Turned Upside Down, Cover Story, Florida Design, vol. 17, no. 3, p. 282-291, 2008 |
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Sonnenborn, Katie. Ann Craven at Knoedler, Frieze, May 2008 |
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Panero, James. Moon Birds at Knoedler & Co., Gallery Chronicles, The New Criterion, April 2008 |
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Galleries-Up Town: Review of Ann Craven at Knoedler & Co., The New Yorker, p. 11, April 14, 2008 |
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Paintings: To the Moon and Back Again, Ann Craven at Knoedler and Co., The New York Sun, p.12, April 7, 2008 |
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Butler, Sharon L. Ann Craven’s moon and bird paintings, Two Coats of Paint, April 3 2008 |
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Quintin, François. Shadows Moon, press release, Frac Champagne-Ardenne, Reims, April 2008 |
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Furnari, Rachel. Ann Craven, Shane Campbell Gallery, New City (Chicago), February 28, 2008 |
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Yablonsky, Linda. Poll Positions, Scene & Herd, Artforum.com, February 6, 2008 |
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Smith, Josh. Ann Craven: Moon birds, p. 7-11, Knoelder & Co., New York, 2008 |
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Roberta, Smith. Accidental Modernism, The New York Times, January 18, 2008 |
| 2007 |
Sonnenborn, Katie Stone. Afternoon of a Fawn, Pitch, p. 9-12, Pre-Fall 2007 |
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Cotter, Holland. When the curator is an artist, go ahead, expect surprises, The New York Times, August 9, 2007 |
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Smith, Roberta. Genesis, I’m Sorry, The New York Times, August 3, 2007 |
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Work in Progress: Ann Craven, Katherine Bernhardt, Josh Smith, Jules de Balincourt, Joe Bradley, photography by Jason Schmidt, p. 52-53, V magazine no. 45, Spring Review, 2007 |
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Palmerton, Elwyn. Artillery Magazine, Volume 1 no. 4, p. 38, Los Angeles, March 2007 |
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Keegan, Matt. Erratic Systems and Irregular Cycles, Straight to the Moon Alice!, Modern Painters, p. 84 – 89, February 2007 |
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Brooks, Arma. Los Angeles: Fair Report, Art LA, Artinfo, January 30, 2007 |
| 2006 |
Wolin, Joseph R. Ann Craven at Gasser & Grunert, 400 Paintings, Time Out New York, page 77, December 7-13, 2006 |
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Lentini, Lisa Kristin. “Deer+Beer” at Gasser & Grunert, New York, Art Papers, review p. 62-63, November/December 2006 |
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Ann Craven, Quiet Subversion, photography by Bede Murphy, ZooZoom, The Original On-line Glossy, 2006 |
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Stillman, Nick. “Deer + Beer” at Gasser & Grunert, New York, Artforum, p. 267, October 2006 |
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Art Calendar, Deer + Beer, Ann Craven at Gasser & Grunert, New York Sun, July 5, 2006 |
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Craven, Ann. Meviews – Four artists review their own exhibitions, Ann Craven at Gasser & Grunert, New York, Art On Paper, vol. 10, no. 6, p. 66, July-August 2006 |
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Findings: Oil paintings by Ann Craven, Harpers, p. 96, May 2006 |
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Regan, Margaret. Art Gone Avian, Are birds making a contemporary art comeback? A TMA exhibit makes the case, Tucson Weekly, February 9, 2006 |
| 2005 |
Millis, Christopher. The Trouble with Two’s, ‘Modest Sublime’ explores landscape at Harvard, The Boston Phoenix, November 18-24, 2005 |
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Diary, Artforum.com, September 24, 2005 |
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Ann Craven and good company at Gasser & Grunert, Jameswagner.com, July 2, 2005 |
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McQuaid, Cate. Mirror Images, Weekend Arts, The Boston Globe, front page, p. D17, May 13, 2005 |
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Helsem, Michael. Kali and Macaroons, Dallas Arts Revue, April 2005 |
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Henry, Max. Blogging the Armory, Artnet.com, 2005 |
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Pollack, Barbara. You must Remember This, Ann Craven’s mnemonic devices, Modern Painters, p. 44, March 2005 |
| 2004 |
K48. “The Raven, 2004” by Ann Craven, K48 is an Animal, Vol. 5, p. 87, 2004 |
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Spagnesi, Licia. Le Favole Nere di Ann Craven, Mensile Di Arte, Arte, Cultura, Informazione, Vol. 374, p. 140-142, October 2004 |
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Fabiani, Enzo. Uno Sguardo Sul ’900, Natura E Ironia, AD, Architectural Digest, p. 94, Italy, 2004
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Johnson, Ken. “She’s Come Undone” at Artemis Greenberg Van Doren Gallery, The New York Times, Friday July 9, 2004 |
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Korotkin, Joyce. The Neo Baroque Era, feature article, Tema Celeste, vol. 104, p. 38-45, July – August 2004 |
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Schwendener, Martha. “She’s Come Undone” at Artemis Greenberg van Doren Gallery, Critics Picks, Artforum.com, July 2004 |
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Ribas, Joao. “She’s Come Undone” at Artemis Greenberg Van Doren Gallery, Time Out New York, no. 457, p. 55, July 1-8, 2004 |
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aerkle, Andrew. She’s Come Undone, Flavor Pill, June 29, 2004 |
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Haus, Mary. Birds that Sing a Different Tune, Feature article, The Nature Issue, p. 96-97, June 2004 |
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Day, Meridith Fife. Ann Craven: This Way No This Way (Aut Aut) at Mario Diacono at Ars Libri, Boston, Art New England, p. 26, June-July 2004 |
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Pappalardo, Bethany Anne. Ann Craven at Klemens Gasser & Tanja Grunert, Inc. New York, Tema Celeste, May 2004 |
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Levin, Kim. Voice Pick, Animals and Us, Gallery St. Etienne, The Village Voice, May 5-11, 2004 |
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Ferrark, Rachele. Ann Craven: Assoluta Innocenza, feature article, In The World, p. 142-147, vol. 5, Italy, May 2004 |
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Pollack, Barbara. Ann Craven at Klemens Gasser & Tanja Grunert, review, Time Out New York, April 8-18, 2004 |
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La Rocco, Benjamin. Ann Craven at Klemens Gasser & Tanja Grunert, Inc., review, Artcritical.com, April 2004 artcritical.com |
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Buesing, Nicole and Klaas, Heiko. Before Opening Sells off…A gallery roundcourse in New York – more police instead of art demanded, Kultur, March 27, 2004 |
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Levin, Kim. Ann Craven at Klemens Gasser & Tanja Grunert, review, Voice Picks, The Village Voice, March 24, 2004 |
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Diacono, Mario. Ann Craven, This Way No This Way (Aut Aut), Painting as re-Production, essay for exhibition at Mario Diacono, Boston, MA, 2004 |
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Korotkin, Joyce. Ann Craven at Klemens Gasser & Tanja Grunert, review, M Magazine, March 2004 |
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Mclellan, Marian. The Birds, review, N.O.A.R. The New Orleans Art Review, p. 26-29, March/April, 2004 |
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Gennochio, Benjamin. Not Only Watching, Painting and Sculpting, Too, ART REVIEW, New York Times, February 15, 2004 |
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Mcquaid, Cate. Birds Eye View, Ann Craven at Mario Diacono, review, The Boston Globe, P. D20, Friday, January 30, 2004 |
| 2003 |
Mast, Audrey Michelle. Mixer 03: An Ornithological Group Show of Work in All Media, F NEWS, November 2003 moniquemeloche.com |
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Franck, Elizabeth. People are Talking About…, p. 538, Vogue, September 2003 |
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On View Garden Party, Chez Monet, New York Magazine, July 28, 2003 |
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Reed, John. Giverny, Time Out New York, July 24-31, 2003 |
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Divergent at Gallerie Lelong, ADAA On Line, 2003 artdealers.org |
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Johnson, Ken. Art Listings, Divergent at LeLong, The New York Times, July 18, 2003 |
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Giverny, Art and Letters Section, New York Sun, Thursday July 17, 2003 |
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Cohen, David. Galley Going, Divergent at Galerie Lelong, The New York Sun, p. 15, July 3, 2003 artcritical.com |
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Summer Means Group Shows = Giverny, The Art Newspaper, No. 138, July-August 2003 |
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Morton, Julia. Altoids Curiously Strong Collection, review, New York Press, Volume 17, Issue 45, 2003 |
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Aukeman, Anastasia. Ann Craven at Gasser and Grunert, Art in America, March 2003 |
| 2002 |
Pollack, Barbara. Ann Craven at Klemens Gasser & Tanja Grunert, New York, ArtNews, November 2002 |
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Korotkin, Joyce. Ann Craven at Klemens Gasser & Tanja Grunert, NY, Tema Celeste, November 2002
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Murphy, Matthew Bede. Writers Picks, NY Arts Magazine, vol. 7, no. 11, November 2002 nyartsmagazine.com
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Miller, Francine Koslow. Ann Craven at Klemens Gasser & Tanja Grunert, New York, and Allston Skirt, Boston, Artforum, November 2002 |
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Wilson, Michael. Ann Craven at Klemens Gasser & Tanja Grunert, Frieze, November/December 2002 frieze.com |
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Griffin, Tim. Ann Craven at Gasser and Grunert, Time Out New York, September 26 – October 6, 2002
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Reed, John. Birds and Beasts, Ann Craven at Gasser & Grunert, artnet.com, September 23, 2002 artnet.com
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Ann Craven at Gasser & Grunert, Galleries-Chelsea, The New Yorker, p. 21, September 23, 2002 |
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Mcquaid, Cate. Artists draw on Nature to take realism to another level, Ann Craven at Allston Skirt Gallery, The Boston Globe, Weekend Section, p. C18, September 20, 2002 |
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Glueck, Grace. ART IN REVIEW: Ann Craven, The New York Times, Friday September 20, 2002 nytimes.com
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Horton, Sean C. A Companion Guide to Bird Watching; Ann Craven at Allston Skirt Gallery, South End News, vol.23, no.35, p. 19, September 19, 2002 |
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Boucher, Brian. Ann Craven at Gasser & Grunert, Critic's Picks, Artforum.com, September 17, 2002 artforum.com |
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Spotlight: Ann Craven, Painter, Writers Picks, NY Arts Magazine, vol. 7, no. 9, September 2002 |
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Mcquaid, Cate. Critics Picks: Ann Craven, The Boston Globe, Friday, September 13, 2002 |
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Korotkin, Joyce. Studio Spotlight, NY ARTS, September 2002 |
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Hoggard, Barry. The Art Season Begins Again, Bloggy, September 5, 2002 bloggy.com |
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Robinson, Walter. Sunday in New York, artnet.com, May 20, 2002 artnet.com |
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Barnes, Brooks. Art & Collecting: The Hot New Subject: You, Wallstreet Weekend Journal, February 8, 2002 |
| 2001 |
Finch, Charlie. Looking Down on Man’s Best Friend, artnet.com, April 23, 2001 artnet.com
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Finch, Charlie. Steve Mumford Paints a Picture, artnet.com, January 12, 2001 artnet.com
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| 2000 |
Agan, Sheila. Abstract Contemporary Art comes to life with The Columbus Museum of art’s ‘Extraordinary Realities’ exhibition, The Lantern, Ohio State University, August 10, 2000 |
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Bennett, Brian. Nassau Profiles Artist Ann Craven, Feature Article, Nassau Weekly, vol. 21, no. 20, April 13, 2000
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| 1999 |
Chambers, Christopher. Ann Craven, p. 37, Dart Magazine, vol. 2, no 9, Winter 1999 |
| 1998 |
Johnson, Ken. Art in Review, The New York Times, November 6, 1998 |
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Arning, Bill. Ann Craven at Curt Marcus Gallery, p.76, Time Out New York, November 5-12, 1998 |
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Pederson, Victoria. Rare Birds, Gallery Go Round, p. 126, Paper Magazine, November 1998 |
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Scott, Andrea. Editors Profile Pick of the Week, newyorkcitysearch.com, October 30, 1998 |
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Showcase Artist of the Week, The New Yorker, October 26 - November 2, 1998 |
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Around Town, Knoxville News Sentinel [Knoxville, TN], January 11, 1998 |
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Fab Four, Looking backward and forward at the varied, p. 22, Metro Pulse [Knoxville, TN], January 8, 1998 |
