| 2023 |
Let The Sunshine In, Pilar Corrias, London, UK |
| 2022 |
BodyLand, curated by Lauren Taschen, Galerie Max Hetzler, Berlin, DE |
|
Extensions Out, organized by Sanya Kantarovsky and Hannah Hoffman for Blank Forms, Luhring Augustine, New York, NY |
|
Take Home a Nude, New York Academy of Art, New York, NY |
|
La proie et l’ombre, Galerie Creveceour, Paris, FR |
|
Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy, Organized by Phong H. Bui and Cal McKeever, Miguel Abreu Gallery, New York, NY |
|
Sea Show, Winter Street Gallery, Edgartown, MA |
|
Nothing is to be Done for William T. Wiley, Parker Gallery, Los Angeles, CA |
|
When in Maine, Nina Johnson, Miami, FL |
|
Symbiosis, Curated by Beth DeWoody, Berkshire Botanical Garden, Stockbridge, MA |
|
The View from Here, CMCA, Rockland, ME |
|
Unnatural Nature: Post-Pop Landscapes, Curated by Todd Broadway, Acquavella, New York, NY |
|
New England Triennial, deCordova Sculpture Park & Museum and Fruitlands Museum, Boston, MA |
|
Songs of Fire, Curated by JPW3 and Torie Zalben, Kranzberg Arts Foundation, St. Louis, MO |
|
Stand with Ukraine, Hales, London, UK |
|
My Reflection of You, Curated by Russell Tovey and Alexander Petalas, The Perimeter, London, UK |
|
Looking Back, Curated by Mary Manning, White Columns, New York, NY |
|
Des Champs de Fraises pour L’éternité, Curated by Marc Bembekoff and It’s Our Playground, La Galerie, centre d’art contemporain de Noisy-le-Sec, FR |
| 2021 |
Friends & Family, Magenta Plains, New York, NY |
|
Moons and Angels, Karma, 70 Main Street, Thomaston, ME |
|
For the Birds, curated by Eddie Martinez, Harper's, East Hampton, NY |
|
Expedition, Brattleboro Museum & Art Center, Brattleboro, VT |
|
and I will wear you in my heart of heart, Flag Art Foundation, New York, NY |
|
Day / Night, Phillida Reid, Auckland, NZ |
|
Birds of the North East: Gulls to Great Auks, Fairfield University Art Museum, Fairfield, CT |
| 2020 |
Imperfect Clocks, CHART, New York |
|
Mirror Gazing, THE PIT, Los Angeles |
|
Contemporary Art + Design: New Acquisitions, Dallas Museum of Art, Dallas |
|
(Nothing but) Flowers, Karma, New York |
|
Materia Medica, Francois Ghebaly, Los Angeles |
|
Decameron Day 2, Curated by Eric Ruschman, New Release Gallery, New York |
|
UPLIFT, Xippas, Geneva |
| 2019 |
THE MOON: ETERNAL PEARL, Curated by Kate James and Kathleen O’Hara, Concord Center for the Visual Arts, Concord, MA |
| 2018 |
Of Purism, Curated by Charlap Hyman & Herrero, Nina Johnson, Miami, FL |
|
Peindre la Nuit, Curated by Jean-Marie Gallais, Centre Pompidou-Metz, Metz, FR |
|
Night, Tripoli Gallery, Southhampton, NY |
|
Screen Door, curated by Hunter Braithwaite, Tops Gallery, Memphis |
|
A Rose is a Rose is a Rose, curated by Nikki Malooff and Louis Fratino, Jack Hanley, New York |
|
Sky Above Clouds, curated by Meredith Darrow and Olivia Davis, Performance Ski, Aspen |
| 2017 |
Pharmacy for Idiots, in association with Tanya Leighton, Rob Tufnell, Cologne |
|
American Genre: Contemporary Painting, curated by Michelle Grabner, The Institute of Contemporary Art at Maine College of Art, Portland, ME |
|
Coquet Mais Pas Trop, Ann Craven, Armand Jalut, Neil Raitt, curated by Marc Bembekoff, Centre d’Art Contemporain la Halle des Bouchers, Vienne FR |
|
The Coverly Set, Sargent's Daughters, New York |
|
The 45th Annual Kips Bay Decorator Show House, Billy Cotton Studio, New York |
|
Lucky Draw 2017, Sculpture Center, Long Island City |
|
A Birthday Present As A Watch, curated by Julia Trotta, Galerie Frank Elbaz, Paris
|
|
Quicktime, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia
|
| 2016 |
Limited Edition Art Box, project curated by Wade Guyton, Meredyth Sparks, Josh Smith, University of Tennessee, School of Art, 2016 Editions/Artists Books Fair, The Tunnel, New York |
|
Before Midnight, Karma, Amagansett NY
|
|
A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles |
|
Fresh Cuts, curated by Agathe Snow and Eric Firestone, Eric Firestone Gallery, East Hampton, NY |
|
If Only Bella Abzug Were Here, curated by Tim Hawkinson, Marc Straus, New York |
|
Bramson, Craven, Gronemeyer, Lutes, Mack, Molzan, Morley, Shane Campbell, Chicago IL
|
|
The Good The Bad The Ugly Part 3, Gesso Artspace, Vienna |
|
Imagine, Brand New Gallery, Milan, IT |
|
BENE •F• ACTION, curated by Nicola Trezzi, Andrea Meislin Gallery, New York, NY |
| 2015 |
Structural Emotion, organized by Shane Campbell, Kimmerich, Berlin, DE |
|
Saturn Drive, organized by Renaud Regnery, L40, Berlin, DE |
|
New Space Grand Opening, Shane Campbell, Chicago |
|
20th Anniversary Gala and Benefit, The Rema Hort Mann Foundation, New York |
|
You Don’t Bring Me Flowers (The Mistress Project), 68Projects, Berlin |
| 2014 |
Benefit Auction, White Flag Projects, St Louis |
|
Faire des Fleurs, curated by Camille Azaïs, Florence Loewy, Paris |
|
Pressed Flowers, curated by Catherine Howe, Leslie Heller Workspace, New York |
|
New Image Painting, Shane Campbell, Chicago |
|
Ambulance Blues, curated by Erin Falls, Retrospective Gallery, Basilica, Hudson, NY |
|
A Poem For Raoul And Agnes, curated by Sherman Sam, Ancient & Modern, London |
|
Don’t Look Now, curated by Jesse Greenberg and MacGregor Harp, Zach Feuer, New York |
|
Stars, a Bridge and Birds, Ann Craven and Marianne Vitale, curated by Yann Chevalier, Galerie Bernard Ceysson, Paris |
|
Staging Interruptions (The Stream of Life), curated by Sarina Basta and Mary Reinbold, Southard Reid, London |
|
Personal Space, Essex Flowers, New York |
| 2013 |
Cento, 2011-2013 Copertine d’Autore, La Triennale de Milano, Fondazione Corriere Della Sera, Milan |
|
Island, curated by Sarina Basta, The Dairy Art Center, London |
|
Beer, curated by Drew Heitzler, The Green Gallery, Milwaukee |
|
Souvenir, curated by Lucie Fontaine, Galerie Perrotin, Paris, France |
|
Station Identification, Michael Benevento, Los Angeles |
|
The Cat Show, curated by Rhonda Lieberman, White Columns, New York |
|
Femminile Plurale, curated by Sara Boggio, Galleria In Arco, Turin, Italy |
|
The Amazing Shoemaker, Fairy Tales About Shoes and Shoemakers, Salvatore Ferragamo
Museum, Florence, Italy |
|
39greatjones, curated by Ugo Rondinone, Eva Presenhuber, Zurich, Switzerland |
| 2012 |
Painting as a Radical Form, curated by Mario Diacono, Collezione Maramotti, Reggio Emilia, Italy |
|
La Fête Est Permanente #4, FRAC Champagne-Ardenne 2011-12 Aquisitions, Museé de L’Ardenne, Charleville-Mézières, France |
|
Estate, curated by Lucie Fontaine, Marianne Boesky, New York, NY |
|
Sous Le Signe Du Cancer, curated by Olivier Mosset, Galerie des Multiples, Paris, France |
|
Howling at the Moon, Dickinson Gallery, New York, NY |
|
The Spirit Level, curated by Ugo Rondinone, Gladstone Gallery, New York, NY |
|
Modern Talking, curated by Nicola Trezzi, Cluj Museum, Cluj, Romania |
|
Just Ask Alice, curated by Amy Granat and Joao Simoes, Fitzroy Gallery, New York, NY |
| 2011 |
Painting . . . E X P A N D E D, curated by Marysol Nieves, Espacio 1414, Santurce, Puerto Rico |
|
Four Rooms, curated by Ewa Gorządek, Helena Kontova, Giancarlo Politi, Nicola Trezzi, Centre For Contemporary Art Ujazdowski Castle [CSW Zamek], Warsaw, Poland |
|
Heads with Tails, organized by West Street Gallery, Harris Lieberman, New York, NY |
|
8 Americans, organized by Keith Mayerson, Maruani & Noirhomme Gallery, Brussels, Belgium |
|
Chaos As Usual, curated by Hanne Mugaas, Bergen Kunsthall, Bergen, Norway |
|
Kilkenny Arts Festival, Ireland, Organized by Josephine Kelliher, Rubicon Gallery, Dublin |
|
Ying Yang Music, in collaboration w/ Peter Halley, curated by Amy Granat, Non-Objectif Sud, Tulette, France |
|
The Medicine Bag, Organized by Ellen Langan and Jasmine Tsou, Maccarone, New York |
|
Rituels, La Fondation d'entreprise Ricard, Paris, France |
|
Painting Overall, Prague Biennale, curated by Giancarlo Politi and
Helena Kontova in collaboration with Nicola Trezzi, Czech Republic |
|
A Painting Show, Curated by Laura Raicovich and Jessie Washburne-Harris, Harris Lieberman Gallery, New York, NY |
|
The Great White Way Goes Black, Vilma Gold, London, UK |
|
HYSTERIA, LAUGHTER AND A SENSE OF SERIOUSNESS, Conceived by Mareike Dittmer & Raphael Gygax, Karma International and Galerie Gregor Staiger, Zurich |
|
Oh Deer!, Organized by Bk Projects, Drive-By, Watertown, MA |
| 2010 |
Neo Integrity: Comics Edition, curated by Keith Meyerson, Museum of Comic and Cartoon Art, New York, NY |
|
Exhibition #3, organized by João Simões, Emily Harvey Foundation, New York, NY |
|
Painting Panel Exhibition, Ann Craven, Peter Halley and Jon Pestoni, Shane Campbell Gallery, Chicago, IL |
|
And So On, And So On, And So On…, organized by Matt Sheridan Smith, Harris Lieberman, New York |
| 2009 |
Picturing the Studio, curated by Michelle Grabner and Annika Marie, Sullivan Galleries, School of the Art Institute of Chicago, IL |
|
Hello, Mr. McGrudder, Benson-Keys Arts, South Hampton, NY |
|
No Bees, No Blueberries, curated by Sarina Basta and Tyler Colburn, Harris Lieberman Gallery, New York, NY |
|
North Drive Press Benefit, White Columns, New York, NY |
|
Collection of…Works from the collections of: Michael Clifton, Clarissa Dalrymple, Matt Keegan, Cary Leibowitz, Amie Scally and Linda Yablonsky, White Columns, New York, NY |
|
Whitney Art Party, Whitney Museum of American Art, New York, NY, June |
|
Constellations: Paintings from the MCA Collection, Museum of Contemporary Art, Chicago, IL |
|
Farimani Fundraiser, Starr Space, Brooklyn, NY |
|
XOXO, Apartment Show, New York, NY |
|
Strip / Stripe, A project by Test, Emily Harvey Foundation, New York, NY |
|
White Columns Xerox Edition, Shane Campbell Gallery, Oak Park, IL |
|
If the Dogs are Barking, Apartment Show at Artists Space, New York, NY |
| 2008 |
Blank Complexity, curated by Karma International, Parisa Kind Gallery, Frankfurt, Germany |
|
Catawampus (for H.D.), curated by Matt Keegan and Amy Granat, Midway Contemporary Art, Minneapolis, MN |
|
Nov 5 – 26, 2008, by Joao Simoes, Emily Harvey foundation, New York, NY |
|
Pretty Ugly, curated by Alison Gingeras, Maccarone Gallery, New York, NY |
|
Tales of the Grotesque, curated by Gianni Jetzer, Karma International, Zurich, Switzerland |
|
Fair Market, curated by Haley Mellin, Rental, New York, NY |
|
You Said He Said She Said, Selier + Mosseri-Marlio Gallery, Zurich, Switzerland |
|
Cinema Zero: Hangover/Bendover, curated by Amy Granat, White Flag Projects, St. Louis, MO |
|
The Searchers, curated by Amoreen Armetta and Molly Dilworth, PNCA, Portland, Oregon |
|
Thank You For Coming, Triple Candie 2001-2008, Triple Candie, New York, NY |
|
Accidental Modernism, curated by Christopher Eamon; Leslie Tonkonow Artworks + Projects, New York, NY |
| 2007 |
Catawampus (For H.D.), curated by Matt Keegan + Amy Granat, Shane Campbell Gallery, Oak Park, IL |
|
Birds, Dwight Hackett Projects, Santa Fe, NM |
|
All Mirrors Are Broken, curated by Anthony Huberman, Galerie LHK, Paris, France |
|
Joe Bradley, Ann Craven, Dana Frankfort, and Keith Mayerson, Zach Feuer Gallery, New York, NY |
|
Warhol and…, Kantor/Feuer Gallery, Los Angeles, CA |
|
Re-dis-play | Non-Art-Collections from Artists and Curators, curated by Anna-Catharina Gebbers, Heidelberger Kunstverein, Heidelberg, Germany |
|
What We Do Is Secret, curated by Amy O’Neill, Blancpain Art Contemporain, Geneve, Switzerland |
|
Small is Beautiful, Klemens Gasser & Tanja Grunert, Inc., New York, NY |
|
Orchids for Orchard, On the Collective for Living Cinema, presented by Cinema Zero, one night only (April 19), Orchard Gallery, New York, NY |
|
Big Secret Cache, Angstrom Gallery, Los Angeles, CA |
|
Girlpower & Boyhood, Solvberget, Stavanger Kulturhus, Stavanger, Norway |
|
Cinema Zero Presents: Etceteras of the CarreRond (what comes is better than what came before), Collective Unconscious, New York, NY |
| 2006 |
CarreRond in Paris, Centre Culturel Suisse (CCS), Paris, France |
|
The Kitchen and Cinema Zero Presents: an evening with Cinema Zero, Ann Craven in collaboration with Amy Granat and Dusty Santos, The Kitchen, New York, NY |
|
Cotton Candy on a Rainy Day, curated by Shinique Smith, The Proposition, New York
|
|
Bunch Alliance and Dissolve, organized by Public-Holiday Projects, Los Angeles/New York, and CAC–Contemporary Art Center, Cincinnati, OH |
|
Girl Power & Boyhood, curated by Lene Burkard, Kunsthallen Brandts, Odense, Denmark |
|
Girl Power and Boyhood, curated by Lene Burkard, Talbot Rice Gallery, University of Edinburgh, Scotland |
|
Kamp K48, curated by Scott Hug, John Connely Presents, New York, NY |
|
Cinema Zero presents: Blue Movies for Gray Flags, environment: Ann Craven, selection of short films with performances by Chuck Nanny, Fiamy, Sculpture Center, Queens, NY |
|
New Work, curated by Tanja Grunert, Klemens Gasser & Tanja Grunert, Inc., New York, NY. |
|
Cluster, organized by Katie Holten, presented at: Participant Inc., New York, NY; Sundown Salon (in association with Art 2102), Los Angeles, CA; FOUR, Dublin, Ireland; El Particular, Mexico City, Mexico |
|
Birdspace: A Post-Audubon Artists Aviary, Tucson Museum of Art, Tucson, Arizona |
|
Portraits, curated by Paul Morris & Marc Selwyn, Marc Selwyn Fine Art, Los Angeles, CA |
| 2005 |
Modest Sublime, curated by Leila Amalfitano, The Carpenter Center for the Arts, Harvard University, Cambridge, MA |
|
Sports Illustrated, Islip Museum, New York, NY |
|
The Kitchen High Line Block Party, Ann Craven: pet and people portraits, The Kitchen's 7th Annual 19th Street Block Party, New York, NY |
|
Kamp K48 – The Zine Unbound, curated by Scott Hug, Yerba Buena Center For The Arts, San Francisco, CA |
|
New Figuration, Galleri Christina Wilson, Copenhagen, Denmark |
|
Flower Power, Klemens Gasser & Tanja Gruner, Inc., New York, NY |
|
Neo-Baroque, curated by Micaela Giovannotti, Biblos Center for the Arts, Verona, Italy |
|
The Thing That Separates Man From Animal, curated by Lisa Kirk, FlatOtel, New York, NY |
|
Ciao! Manhattan: Recent Painting from New York, curated by Joseph R. Wolin, Perugi Arte Contemporanea, Padova, Italy |
| 2004 |
The Sixth Annual Altoids Curiously Strong Collection, The New Museum, New York, NY; Consolidated Works, Seattle, WA; Arthouse, Austin, TX; Luggage Store Gallery, San Francisco, CA; Pennsylvania Academy of Fine Art, Philadelphia, PA. |
|
Ann Craven and Keith Mayerson, curated by Lisa Kirk, Scope Art Fair, Miami, FL |
|
Emo Eco, curated by Simon Watson/Scenic, Kavi Gupta Gallery, Chicago, IL |
|
She’s Come Undone, curated by Augusto Arbizo, Artemis Greenberg Van Doren, New York, NY |
|
AC, Elizabeth Dee Gallery, New York, NY |
|
The Collector’s Cabinet: for Marsha, organized by Simon Watson / Scenic, Marc Selwyn Fine Art at Domestic, Los Angeles, CA |
|
Portraits, Esso Gallery, New York, NY |
|
Birdspace: A Post-Audubon Artists Aviary, Norton Museum of Art, West Palm Beach, FL |
|
ANIMALS & US: The Animal in Contemporary Art, Galerie St. Etienne, New York, NY |
|
For the Birds, curated by Denise Markonish, catalogue essay by Michael Crewdson
ArtSpace, New Haven, CT |
|
Birdspace: A Post-Audubon Artists Aviary, curated by David Rubin, Contemporary Arts Center, New Orleans, LA |
| 2003 |
Out Law Series, New York, NY — http://www.theoutlawseries.com |
|
You, curated by Lisa Kirk, 110 W 14th Street, New York, NY |
|
Art|Basel, Klemens Gasser & Tanja Grunert, and Allston Skirt Gallery, Miami Beach, FL |
|
Giverny, curated by Yvonne Force and Jeanne Greenberg Rohatyn, Salon 94, New York, NY |
|
City Mouse, Country Mouse, curated by David Hunt, Space 101, Brooklyn, NY |
|
Mixer03: An Ornithological Group Show in All Media, Monique Meloche Gallery, Chicago, IL |
|
Summer Group Show, Allston Skirt Gallery, Boston, MA |
|
Gone Fishin’ in Provincetown, Allston Skirt Gallery, Provincetown, MA |
| 2002 |
Aviary, curated by Edward Thorp, Edward Thorp Gallery, New York, NY |
|
Art|Basel, Klemens Gasser & Tanja Grunert, Inc., and Flash Art, Art Basel, Miami Beach, FL |
|
Pretty Paintings, curated by Sean Horton, The Model Gallery, Boston MA |
|
Hotel/Motel, 11 Artists with Studios in Harlem, Triple Candie, New York, NY |
|
Primal Screams and Songs, curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL |
| 2001 |
Many Moons, curated by Barbara Bloemink, Hammond Museum, North Salem, New York |
| 2000 |
Extraordinary Realities, curated by Annegreth Nill, Columbus Museum of Art, Columbus, OH |
| 1999 |
Heads Up, new acquisitions exhibition curated by Bonnie Clearwater, Museum of Contemporary Art, Miami, FL |
|
Invitational White Columns benefit auction, White Columns, New York |
|
Group Exhibition, Curt Marcus Gallery, New York |
|
Ann Craven Studio Tour, to benefit The Coalition for the Homeless, Art Walk New York, NY |
| 1998 |
The Jewel-Box Project, curated by Patrick Gallery & Livet Richard, Ga Ga Gallery, New York, NY |
|
Group Exhibition and Auction, to benefit the New York Coalition for the Homeless, Art Walk New York, NY |
|
Visiting Artist Biennial, TN Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN |
| 1997 |
Group Show, curated by Michael Jenkins, Wooster Gardens, New York, NY |
|
Guadalajara Art Fair, Guadalajara, Mexico. |
|
Gay Men’s Health Crisis, sponsored by David Geffen, New York Hospital, NY |
|
Summer Invitational Exhibition, Curt Marcus Gallery, New York, NY |
|
Invitational Exhibition, curated by Milena Kanovska, Provincetown Art Museum, Provincetown, MA |
| 1996 |
Invitational Benefit Auction and Exhibition, White Columns, New York, NY |
|
Time Wise, curated by Carin Kuony, The Swiss Institute, New York, NY |
|
Rosenthal Foundation Young Painter Prize, exhibition juried by Chuck Close, Charles Gwathmey, Nathan Oliveira, and Robert Ryman, American Academy of Arts and Letters, New York; work by newly elected members & recipients of honors and awards; awarded Rosenthal Foundation Young Painter Prize |
|
Three Painters, Lauren Wittels Gallery, New York, NY |
| 2015 |
Visiting Artist and Lecture, Pennsylvania Academy of the Fine Arts – PAFA, November 12, 2015 |
| 2014 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2013 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
|
Visiting Artist and Lecture, Rutgers University, New Brunswick, NJ |
| 2012 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2011 |
Graduate Mentor, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2010 |
Graduate Mentor, Columbia University, New York, NY |
|
Visiting Lecturer, School of Visual Arts, New York, NY |
|
Visiting Lecturer, Rutgers University, New Jersey |
| 2009 |
Interlink Visiting Artist Program, School of the Art Institute of Chicago, Chicago, IL |
|
Critical Dialogues Lecture Series, Tyler School of Art, Philadelphia, PA |
|
Visiting Lecturer, New York Studio School, New York, NY |
|
Panel Discussion, organized by Michelle Grabner, CAA, Chicago, IL |
| 2008 |
Visiting Artist and Public Lecturer, Graduate School of the Arts, Pacific Northwest College of Art, Portland, OR |
|
Visiting Artist and Public Lecturer, Graduate School of the Arts, Maryland Institute College of Art, Baltimore |
|
Visiting Artist and Public Lecture, Massachusetts Institute of Technology, Center For Advanced Studies, Cambridge |
|
Panel Discussion, Repetition, with Tony Conrad, Leslie Hewitt and Haim Steinbach; Moderated by Matt Keegan, organized by Bianca Beck and Josh Brand, Yale University School of the Arts, New Haven, CT |
|
Visiting Artist Lecture Series, Visual Arts Graduate Program, Columbia University, New York, NY |
| 2007 |
Visiting Artist and Public Lecture, Graduate School of the Arts, New York University, NY |
|
Visiting Artist and Public Lecture, Graduate School of the Arts, University of Tennessee, Knoxville |
|
Lecture Undergraduate Critique, Columbia University, New York, NY |
|
Artist in Residence, Frac –Champagne-Ardenne, Reims, France |
|
Visiting Artist and Public Lecturer, Graduate School of the Arts, School of the Art Institute of Chicago, IL |
| 2005 |
Public Lecture, Cranbrook Academy Graduate School of the Arts, Bloomfield Hills, MI |
|
Public Lecture, Triple Candie, New York, NY |
|
Public Lecture, Graduate Program, Hunter College, New York, NY |
| 2004 |
Public Lecture, Museum of Fine Arts, Boston, MA |
| 2003 |
The Sixth Annual Altoids Curiously Strong Collection, New York, NY |
|
Best Monographic Show in a Commercial Gallery, International Association of Art Critics, USA (AICA New England), Allston-Skirt Gallery, Boston, MA |
| 2001 |
Artist Fellowship Grant and Artist Residency, Art Production Fund and The Lawrence Rockefeller Foundation, Foundation Claude Monet, Academie des Beaux-Arts, Giverny, France |
|
Visiting Artist Lecture, Graduate Painting Department, Rutgers University, NJ |
| 1999 |
Artist in Residency and Lecture, University of Tennessee, Knoxville, TN |
|
Visiting Artist and Lecture, Tisch School for the Arts, Painting Program, New York University |
|
Artists Fellowship Award, Salmagundi Foundation, New York, NY |
|
CHANGE Grant, Robert Rauschenberg Foundation, New York, NY |
| 1997 |
Rosenthal Foundation Young Painter Prize, American Academy of Arts and Letters |
| 2023 |
Lindquist, Greg., Ann Craven: Twelve Moons, Brooklyn Rail, April 2023 |
| 2022 |
Chow, Vivienne., Hot Lots: 5 Female Artists Art Buyers Adored at Hong Kong’s Autumn Day Sale, Artnet, December 8, 2022 |
|
Ann Craven, Reggie Burrows Hodges: Moons and Angels, Contributions by Susan Howe and Christopher Crosman, Karma, New York, 2022 |
|
Pogrebun, Robin., Artists of Color and Women Soar at Christie’s 21st Century Sale, NY Times, May 10, 2022 |
|
‘Eagles’ eyes for excellence’: the shared vision of Thomas and Doris Ammann, Christie’s, May 9, 2022 |
| 2021 |
Rhodes, David., Ann Craven: Animals Birds Flowers Moons. Brooklyn Rail, April 28, 2021 |
|
Ziots, Megan. , One of New York City’s Most Famous Galleries Presents a Special Exhibit at The Joule in Dallas, Paper City Magazine, November 2, 2021 |
|
Crossman, Christopher. , Moon and Angels Over Thomaston, Part II. The Free Press, August 24, 2021 |
|
Crossman, Christopher., Moon and Angels Over Thomaston, Part I. The Free Press, August 10, 2021 |
|
Ann Craven at KARMA, Contemporary Art Daily, April 26, 2021 |
|
Seeger, Zach., Hanging on for dear life: Ann Craven at Karma, Two Coats of Paint, April 20, 2021 |
|
Creahan, D. , New York – Ann Craven: “Animals Birds Flowers Moons” at Karma, Art Observed, April 14, 2021 |
|
Clavarino, Elena., Ann Craven: Animals Birds Flowers Moons, Air Mail, April 2021 |
|
Ludel, Wallace. and Angeleti, Gabriella., Three exhibitions to see in New York this weekend: From Ann Craven at Karma to Madeline Hollander at the Whitney, The Art Newspaper, March 26, 2021 |
|
Ann Craven: Animals Birds Flowers Moons, Texts by Durga Chew-Bose, Keith Mayerson, Interview with Lois Dodd, Karma, New York, 2021, ISBN 978-1-949172-60-7 |
|
Jacobs, Laura., In Top-Flight Form, An exhibit combines scientific study and artistic interpretation, The Wall Street Journal, February 11, 2021, p.A13 |
|
CMCA Hosts Online Benefit Auction ‘Art You Love’, The Free Press, February 9, 2021 |
| 2020 |
Oregon ArtsWatch, The allure of interconnection, December 7, 2020 |
|
The Brooklyn Rail, (Nothing but) Flowers, September 2020 |
|
Art & Object, 3 Los Angeles Exhibitions Exploring the Nature of Things, August 28, 2020 |
|
Dallas Weekly, Dallas Museum of Art Debuts New Acquisitions in New Exhibition Contemporary Art + Design, August 13, 2020 |
|
Hyperallergic, Artists Quarantine With Their Art Collections, August 1, 2020 |
|
New York Magazine, 3 Design Happenings To Check Out Next Week: An Online Auction, April 30, 2020
|
|
Artnet News, 'Everyone Is In A State of Panic Right Now': 7 Mid-Career Artists on How They Are Facing the Enormous Challenges of the Coronavirus Pandemic’, April 15, 2020 |
|
Galarie Magazine, Jonas Wood and Ann Craven Transform Children’s Hospitals With Whimsical Art, February 4th, 2020 |
| 2019 |
Marfa Journal, Marfamily #5, Lois Dodd Interviewed by Ann Craven, December 29, 2019 |
|
Extraordinary Paintings of Ordinary Birds, Hyperallergic, September 7, 2019 |
|
Ann Craven at Center for Maine Contemporary Art, Contemporary Art Daily, September 3, 2019 |
|
Ann Craven: Birds We Know, published by Center for Maine Contemporary Art, Rockland, ME ©2019 and Ann Craven |
|
Ann Craven finally shows the midcoast what she’s been painting, Portland Press Herald, May 26, 2019 |
|
Where to Invest $1 Million in Art Right Now, Bloomberg, May 2, 2019 |
|
Museums look at the legacies of 2 Maine art colonies, Portland Press Herald, April 28, 2019 |
|
To Capture the Memory of Light: A Review of Ann Craven’s “Promise (Birds for Chicago)”, Newcity Art, April 19, 2019 |
| 2018 |
Choate, Canada. Artful Volumes, Bookforum Contributors On The Season’s Outstanding Art Books, Bookforum, December, 2018 — January, 2019 |
|
At the Galleries, The Southampton Press, Arts & Living, October 4, 2018 |
|
Hamilton, Diana, Ann Craven, Frieze Magazine, Reviews, p. 266, Edition No. 198, October, 2018 |
|
Mitchell, Marc, Four Contemporary Painters at Tops Gallery in Memphis, Burnaway, Art Review, September 4, 2018 |
|
ANN CRAVEN, essays by David Salle, Sarah French,
and Dana Miller, published by KARMA, New York ©2018 and Ann Craven, ISBN 978-1-949172-01-0 |
|
The house of Missoni, The Sydney Morning Herald, August 24, 2018 |
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Talbot, Lindsay, Ann Craven: Inside Angela Missoni’s Rainbow-Colored World, The New York Times Style Magazine, p. 116-118, August 14, 2018 |
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Hamilton, Diana, Ann Craven’s Changing Scenes of the Continuous ‘Just Past’, Frieze, August 13, 2018 |
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Ann Craven at Karma, Contemporary Art Daily, July 28, 2018 |
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Rhodes, David, Ann Craven: Sunset Moon, Brooklyn Rail, July 11, 2018 |
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Cohen, Alina, The Artists Who Have Made the Night Sky Their Muse, Artsy Magazine, June 7, 2018 |
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Gordienko, Alexandra. Ann Craven, Marfa Journal, p. 296-311, March, 2018 |
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Boucher, Brian. Connoisseur-Worthy Highlights From the ADAA’s 30th Anniversary Art Fair, Artnet News, February 28, 2018 |
| 2017 |
Pharmacy for Idiots at Rob Tufnell, Contemporary Art Daily, September 26, 2017 |
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Frankel, Eddy. Ann Craven: Animals 1999-2017, TimeOut London, June 2017 |
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Ann Craven at Southard Reid, Contemporary Art Daily, June 1, 2017 |
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Jones, Eliel. Ann Craven, Southard Reid, London, Artforum, Critic's Picks, April 2017 |
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Hunter, Becky Huff. Quicktime: Fast, Casual Painting in Philadelphia, Two Coats of Paint, April 17, 2017 |
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Mir, Stan. Painting Isn’t Dead! Its Just Slow, Hyperallergic, April 8, 2017 |
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Newhall, Edith. Women in the Abstract, Philadelphia Inquirer, April 2, 2017 |
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A Birthday Present as a Watch at Galerie Frank Elbaz, Paris, Blouin ArtInfo, March 23, 2017 |
| 2016 |
Josh Smith / Ann Craven, Flash Art, November 23, 2016 |
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Ann Craven at Maccarone, Contemporary Art Daily, February 23, 2016 |
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Wilson, Michael., Ann Craven, Time Out New York, February 17 – March 1, 2016 |
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Halle, Howard., The Top 10 Flower Paintings of All Time, Time Out New York, February 18, 2016 |
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Consumer Reports: Ann Craven, ArtNews, February 10, 2016 |
| 2015 |
Ann Craven: TIME, published by Le Confort Modern, Poitiers, France ©2015 and Ann Craven, ISBN 2-908252-54-5 |
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Freeman. Nate, The Young Curator Bringing the Lower East Side to the West Coast, Art Matters, The New York Times, July 30, 2015 |
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Ann Craven: Untitled (Palettes, Moons, Birds, Flowers), 2014, published by Ann Craven Studio, New York ©2015 |
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Ann Craven: Untitled (Palettes: Naked, Tagged), 2013-14, published by Ann Craven Studio, New York ©2015 |
| 2014 |
Faire des Fleures at Florence Loewy, Paris, Mousse, December 7, 2014 |
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Ann Craven, across many moons, by Christopher Knight, Los Angeles Times, December 4, 2014 |
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A Conversation with Ann Craven, by Ashley Garrett, FIGURE / GROUND, November 28, 2014 |
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Lee, Andrea. Style Dynasty, W Magazine, September 29, 2014 |
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Ann Craven at Confort Moderne, Contemporary Art Daily, August 25th, 2014 |
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Group Show at Zach Feuer, Contemporary Art Daily, August 8, 2014 |
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Butler, Sharon. New Image Painters Challenge Zombie Formalists, Two Coats Of Paint (twocoatsofpaint.com), August 4, 2014 |
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Don’t Look Now, Time Out, New York, Jul 8, 2014
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Boggio, Sara. Ann Craven: Nature and Time, Artribune, June 10, 2014 |
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Less Playboy Is More Cowboy #5 – Report, Concerts / Expositions / Performances, Le Confort Moderne, Poitiers, Jun 6, 2014 |
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Festival Less Playboy is more Cowboy 2014 à Poitiers, TV France 3 Poitou-Charentes, May 2014 |
| 2013 |
Ann Craven at Maccarone, Contemporay Art Daily, Week in Review, December 7th, 2013 |
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Yablonsky, Linda. Moments Like These, Scene & Herd, Artforum.com, November 14, 2013
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Reinbold, Mary Margaret. Ann Craven, Southard Reid, London, Flash Art, International Edition, no. 293, November–December 2013 |
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Blake, Robin. Island, Dairy Art Centre, London – Review, Financial Times, FT.com/Arts, October 16, 2013 |
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Ann Craven, Pensée, La Lettura (Cover) #93, Corriere della Sera, Milan, September 1, 2013 |
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Ann Craven: Pensée, published by Karma and Maccarone Gallery, New York, 2013, ISBN 978-1-938560-02-6 |
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Ann Craven, Portfolio, Art In America, June-July, 2013 |
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Paparoni, Demetrio. Ann Craven, Birds, Deers, Cats and Flowers, Arte Al Limite, p. 40, May—June 2013 |
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Boggio, Sara. Femminile Plurale, Ann Craven, In Arco Books, Galleria In Arco, Turin, Italy, 2013 |
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The Estate of Lucie Fontaine, edited by Veronica Levitt and Nicola Trezzi, published by Marianne Boesky Gallery, New York, 2013, ISBN 978-0-9882752-4-9 |
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FRUCHTIG, Die Frucht in der bildenden Kunst des 20. und 21. Jahrhunderts, catalogue published by Stiftung fur Fruchtmalerei und Skulptur, Heidelberg, 2013 |
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Paparoni, Demetrio. Ferragamo Il Calzolaio, Una Grande Mostra a Firenze, Artribune, April 2013 |
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The Amazing Shoemaker, edited by Stefania Ricci, Museo Salvatore Ferragamo, published by SKIRA Editore, Milan, 2013, ISBN 978-88-572-1928-8 |
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39greatjones, exhibition catalogue designed by ACRUSH, published by Galerie Eva Presenhuber, Zurich, 2013 |
| 2012 |
Grabner, Michelle. On Painting, with an essay by Ann Craven, Poor Farm Press, Manawa, Wisconsin, 2012 |
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Pini, Francesca. Che cosa sta preparando Ann Craven, Atelier D’Artista, Sette, Corriere Della Sera, Milan, December 7, 2012 |
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Wolin, Joseph R., ‘Wade Guyton “OS”, Whitney Museum of American Art’, Time Out New York, October 24, 2012 |
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Diacono, Mario. Archetypes and Historicity, Painting and Other Radical Forms 1995-2007, "Painting as Re-Production" Page 214, Silvana Editoriale (Cinisello Balsamo, Milano), 2012 |
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P. Capelli, Le forme radicali della pittura americana alla Collezione Maramotti, Arte, October 2012 |
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Yablonsky, Linda. Treasure Island, Yablonsky, Linda. Treasure Island, Scene & Herd, Artforum.com, May 4, 2012 |
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Boucher, Brian. Trailing Public Art Fund’s Nicholas Baume Through Frieze, News, Art in America, May 04, 2012 |
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Rosenberg, Karen. Tapping Pyschic Undercurrents, The New York Times, April 13, 2012 |
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Heinrich, William. Material World, The New York Observer, April 2, 2012, p. B5 |
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Trezzi, Nicola. The Show Also Known As…, Arta: Revista de Arte Vizuale, April 2012 |
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Walleston, Aimee. At Gladstone, Ugo Rondinone Celebrates Solitary People, Art in America, March 28, 2012 |
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Yablonsky, Linda. The Rondinone Spirit, T Magazine, March 27th, 2012 |
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Russeth, Andrew. Spring Arts Preview, Top 10 Gallery Shows for Spring 2012, Galeristny.com, March 13, 2012 |
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Rappolt, Mark. Ann Craven: Summer at Southard Reid, Reviews Marathon, Art Review, p. 105, Issue 56, January-February, 2012 |
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Sherman, Sam. Ann Craven at Southard Reid, Critic's Picks, Artforum.com, January 1, 2012 |
| 2011 |
Carey-Kent, Paul. Latest News Article, The London Galleries In December With Paul Carey-Kent, Artlyst.com, December 1, 2011 |
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Sutton, Kate. Quick Fix, Scene & Heard, Athens, Artforum.com, September 20, 2011 |
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Latimer, Quinn. Hysteria, Laughter and a Sense of Seriousness, Art Review, p. 128, Issue 50, May 2011 |
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McQuaid, Cate. Oh Deer, Galleries, The Boston Globe, Arts, March 23, 2011 |
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Ann Craven at Maccarone, Contemporary Art Daily, February 7, 2011 |
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Yablonsky, Linda. Hats Off, Scene & Heard, Artforum.com, January 11, 2011 |
| 2010 |
Craven, Ann. Their Favorite Exhibition of the Year, The Artists’ Artists, p.102, Artforum, Vol. XLIX No. 4, December 2010 |
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Pollack, Barbara. Ann Craven, Maccarone, ARTnews, p. 113, Vol. 109, No. 8, September 2010 |
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Diacono, Mario. Iconography and archetypes: the form of the painting, 1985 – 1994, Silvana Editoriale, Cinisello Balsamo, Milano, 2010 |
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Galleries – Downtown, Ann Craven, p. 29, The New Yorker, June 14 & 21, 2010 |
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Trembley, Nicolas. Ivre de Peinture, Interview, Portrait by Martha Camarillo, Numero Magazine, p. 34-36, June 2010 |
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Teller, Jurgen. Missoni, Summer Campaign Catalogue, 2010 |
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Ann Craven ‘Flowers’, Critics Pick, p. 58, Time Out New York, May 6-12, 2010 |
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Basta, Sarina. Ann Craven, Painting To Its Bare Essence, Cover and Feature Article, p. 76-79, Flash Art, Vol. XLIII, No. 272, May - June 2010 |
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School of the Art Institute of Chicago Presents “Picturing the Studio”, Artdaily.org, February 2010 |
| 2009 |
Cortassa, Guia. Review of “Puff Puff” at Conduits/Gea Politi, FlashArt, p. 101, November/December 2009 |
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Craven, Ann. “On Broodthaers: Jota Castro, Ann Craven, Seth Price, Renee Green, Christian Philipp Muller”, Feature article, FlashArt, p. 60-62. November/December 2009 |
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Pollers, Peter. Shadows Moon at CIAP, Hassalt, Belgium, Sculpture Center Curators’ Notebook, September 16, 2009 |
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Artist’s Dictionary, Flash Art Online, August 20, 2009 |
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Ann Craven, Artists Talk, MIT Tech TV (2009), Retrieved 10 August 2009 from MIT |
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ANN CRAVEN, SHADOWS MOON AND ABSTRACT LIES, Monograph Published by JRP/Ringer, Zurich, 2009 |
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Review of No Bees, No Blueberries at Harris Lieberman, Sculpture Center Curators’ Notebook, Jun 22, 2009 |
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Missoni, Angela. Designer’s It List, Vogue, Japan, no.116, p. 349, April 2009 |
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While you were sleeping… Art in America Re-Launch, Interview Magazine, March 2, 2009 |
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New Monograph, V magazine, no. 57, spring review, 2009 |
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“Catawampus (for H. D.)” at Midway Contemporary Art, Contemporary Art Daily, February 4, 2009 |
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Opening Photos of Ann Craven at Galerie LHK, Picks and Reviews, Art Slant [Paris], January 11, 2009 |
| 2008 |
Trezzi, Nicola. A Flashy Art Christmas – Nicola Trezzi on a series of arty gifts, Whispers and Murmurs, Flash Art online, December 2008 |
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Keegan, Matt. (ed.) Catawampus, Exhibition Catalogue, Midway Contemporary Art, Minneapolis, 2008 |
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Smith, Josh and Craven, Ann. Let’s Get This Done, Flash Art, Vol. XLI, No. 263, November/December 2008 |
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Baker, R. C. Implant, The Village Voice, September 10, 2008 |
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Riff
, Joël. Ann Craven, Curiosité, Semaine 33, August 2008 |
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Esplund, Lance. Natural Beauty, Unnatural Balance, The New York Sun, August 7, 2008 |
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Pollack, Barbara. Pretty Ugly, Time Out New York, Issue 671, Aug 7–13, 2008 |
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Hochdörfer, Achim. and Smith, Josh. (ed.) Image, bird for 16,000 mistakes,, Josh Smith: Hidden Darts Reader, MUMOK – Museum Moderner Kunst, Vienna, p. 79, 2008 |
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Pardessus, Antoine.
Art contemporain : Aux Clairs de la Lune, L’Union, 17 July 2008 |
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Feltrin
, Katia. Lunatique, Ann Craven: Shadow’s Moon au Frac Champagne-Ardenne, Mouvement, July 2008 |
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Schreckengast, Heather L., Traditional Design Turned Upside Down, Cover Story, Florida Design, vol. 17, no. 3, p. 282-291, 2008 |
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Sonnenborn, Katie. Ann Craven at Knoedler, Frieze, May 2008 |
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Panero, James. Moon Birds at Knoedler & Co., Gallery Chronicles, The New Criterion, April 2008 |
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Galleries-Up Town: Review of Ann Craven at Knoedler & Co., The New Yorker, p. 11, April 14, 2008 |
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Paintings: To the Moon and Back Again, Ann Craven at Knoedler and Co., The New York Sun, p.12, April 7, 2008 |
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Butler, Sharon L. Ann Craven’s moon and bird paintings, Two Coats of Paint, April 3 2008 |
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Quintin, François. Shadows Moon, press release, Frac Champagne-Ardenne, Reims, April 2008 |
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Furnari, Rachel. Ann Craven, Shane Campbell Gallery, New City (Chicago), February 28, 2008 |
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Yablonsky, Linda. Poll Positions, Scene & Herd, Artforum.com, February 6, 2008 |
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Smith, Josh. Ann Craven: Moon birds, p. 7-11, Knoelder & Co., New York, 2008 |
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Roberta, Smith. Accidental Modernism, The New York Times, January 18, 2008 |
| 2007 |
Sonnenborn, Katie Stone. Afternoon of a Fawn, Pitch, p. 9-12, Pre-Fall 2007 |
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Cotter, Holland. When the curator is an artist, go ahead, expect surprises, The New York Times, August 9, 2007 |
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Smith, Roberta. Genesis, I’m Sorry, The New York Times, August 3, 2007 |
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Work in Progress: Ann Craven, Katherine Bernhardt, Josh Smith, Jules de Balincourt, Joe Bradley, photography by Jason Schmidt, p. 52-53, V magazine no. 45, Spring Review, 2007 |
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Palmerton, Elwyn. Artillery Magazine, Volume 1 no. 4, p. 38, Los Angeles, March 2007 |
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Keegan, Matt. Erratic Systems and Irregular Cycles, Straight to the Moon Alice!, Modern Painters, p. 84 – 89, February 2007 |
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Brooks, Arma. Los Angeles: Fair Report, Art LA, Artinfo, January 30, 2007 |
| 2006 |
Wolin, Joseph R. Ann Craven at Gasser & Grunert, 400 Paintings, Time Out New York, page 77, December 7-13, 2006 |
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Lentini, Lisa Kristin. “Deer+Beer” at Gasser & Grunert, New York, Art Papers, review p. 62-63, November/December 2006 |
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Ann Craven, Quiet Subversion, photography by Bede Murphy, ZooZoom, The Original On-line Glossy, 2006 |
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Stillman, Nick. “Deer + Beer” at Gasser & Grunert, New York, Artforum, p. 267, October 2006 |
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Art Calendar, Deer + Beer, Ann Craven at Gasser & Grunert, New York Sun, July 5, 2006 |
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Craven, Ann. Meviews – Four artists review their own exhibitions, Ann Craven at Gasser & Grunert, New York, Art On Paper, vol. 10, no. 6, p. 66, July-August 2006 |
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Findings: Oil paintings by Ann Craven, Harpers, p. 96, May 2006 |
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Regan, Margaret. Art Gone Avian, Are birds making a contemporary art comeback? A TMA exhibit makes the case, Tucson Weekly, February 9, 2006 |
| 2005 |
Millis, Christopher. The Trouble with Two’s, ‘Modest Sublime’ explores landscape at Harvard, The Boston Phoenix, November 18-24, 2005 |
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Diary, Artforum.com, September 24, 2005 |
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Ann Craven and good company at Gasser & Grunert, Jameswagner.com, July 2, 2005 |
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McQuaid, Cate. Mirror Images, Weekend Arts, The Boston Globe, front page, p. D17, May 13, 2005 |
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Helsem, Michael. Kali and Macaroons, Dallas Arts Revue, April 2005 |
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Henry, Max. Blogging the Armory, Artnet.com, 2005 |
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Pollack, Barbara. You must Remember This, Ann Craven’s mnemonic devices, Modern Painters, p. 44, March 2005 |
| 2004 |
K48. “The Raven, 2004” by Ann Craven, K48 is an Animal, Vol. 5, p. 87, 2004 |
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Spagnesi, Licia. Le Favole Nere di Ann Craven, Mensile Di Arte, Arte, Cultura, Informazione, Vol. 374, p. 140-142, October 2004 |
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Fabiani, Enzo. Uno Sguardo Sul ’900, Natura E Ironia, AD, Architectural Digest, p. 94, Italy, 2004
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Johnson, Ken. “She’s Come Undone” at Artemis Greenberg Van Doren Gallery, The New York Times, Friday July 9, 2004 |
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Korotkin, Joyce. The Neo Baroque Era, feature article, Tema Celeste, vol. 104, p. 38-45, July – August 2004 |
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Schwendener, Martha. “She’s Come Undone” at Artemis Greenberg van Doren Gallery, Critics Picks, Artforum.com, July 2004 |
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Ribas, Joao. “She’s Come Undone” at Artemis Greenberg Van Doren Gallery, Time Out New York, no. 457, p. 55, July 1-8, 2004 |
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aerkle, Andrew. She’s Come Undone, Flavor Pill, June 29, 2004 |
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Haus, Mary. Birds that Sing a Different Tune, Feature article, The Nature Issue, p. 96-97, June 2004 |
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Day, Meridith Fife. Ann Craven: This Way No This Way (Aut Aut) at Mario Diacono at Ars Libri, Boston, Art New England, p. 26, June-July 2004 |
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Pappalardo, Bethany Anne. Ann Craven at Klemens Gasser & Tanja Grunert, Inc. New York, Tema Celeste, May 2004 |
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Levin, Kim. Voice Pick, Animals and Us, Gallery St. Etienne, The Village Voice, May 5-11, 2004 |
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Ferrark, Rachele. Ann Craven: Assoluta Innocenza, feature article, In The World, p. 142-147, vol. 5, Italy, May 2004 |
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Pollack, Barbara. Ann Craven at Klemens Gasser & Tanja Grunert, review, Time Out New York, April 8-18, 2004 |
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La Rocco, Benjamin. Ann Craven at Klemens Gasser & Tanja Grunert, Inc., review, Artcritical.com, April 2004 artcritical.com |
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Buesing, Nicole and Klaas, Heiko. Before Opening Sells off…A gallery roundcourse in New York – more police instead of art demanded, Kultur, March 27, 2004 |
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Levin, Kim. Ann Craven at Klemens Gasser & Tanja Grunert, review, Voice Picks, The Village Voice, March 24, 2004 |
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Diacono, Mario. Ann Craven, This Way No This Way (Aut Aut), Painting as re-Production, essay for exhibition at Mario Diacono, Boston, MA, 2004 |
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Korotkin, Joyce. Ann Craven at Klemens Gasser & Tanja Grunert, review, M Magazine, March 2004 |
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Mclellan, Marian. The Birds, review, N.O.A.R. The New Orleans Art Review, p. 26-29, March/April, 2004 |
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Gennochio, Benjamin. Not Only Watching, Painting and Sculpting, Too, ART REVIEW, New York Times, February 15, 2004 |
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Mcquaid, Cate. Birds Eye View, Ann Craven at Mario Diacono, review, The Boston Globe, P. D20, Friday, January 30, 2004 |
| 2003 |
Mast, Audrey Michelle. Mixer 03: An Ornithological Group Show of Work in All Media, F NEWS, November 2003 moniquemeloche.com |
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Franck, Elizabeth. People are Talking About…, p. 538, Vogue, September 2003 |
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On View Garden Party, Chez Monet, New York Magazine, July 28, 2003 |
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Reed, John. Giverny, Time Out New York, July 24-31, 2003 |
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Divergent at Gallerie Lelong, ADAA On Line, 2003 artdealers.org |
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Johnson, Ken. Art Listings, Divergent at LeLong, The New York Times, July 18, 2003 |
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Giverny, Art and Letters Section, New York Sun, Thursday July 17, 2003 |
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Cohen, David. Galley Going, Divergent at Galerie Lelong, The New York Sun, p. 15, July 3, 2003 artcritical.com |
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Summer Means Group Shows = Giverny, The Art Newspaper, No. 138, July-August 2003 |
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Morton, Julia. Altoids Curiously Strong Collection, review, New York Press, Volume 17, Issue 45, 2003 |
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Aukeman, Anastasia. Ann Craven at Gasser and Grunert, Art in America, March 2003 |
| 2002 |
Pollack, Barbara. Ann Craven at Klemens Gasser & Tanja Grunert, New York, ArtNews, November 2002 |
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Korotkin, Joyce. Ann Craven at Klemens Gasser & Tanja Grunert, NY, Tema Celeste, November 2002
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Murphy, Matthew Bede. Writers Picks, NY Arts Magazine, vol. 7, no. 11, November 2002 nyartsmagazine.com
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Miller, Francine Koslow. Ann Craven at Klemens Gasser & Tanja Grunert, New York, and Allston Skirt, Boston, Artforum, November 2002 |
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Wilson, Michael. Ann Craven at Klemens Gasser & Tanja Grunert, Frieze, November/December 2002 frieze.com |
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Griffin, Tim. Ann Craven at Gasser and Grunert, Time Out New York, September 26 – October 6, 2002
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Reed, John. Birds and Beasts, Ann Craven at Gasser & Grunert, artnet.com, September 23, 2002 artnet.com
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Ann Craven at Gasser & Grunert, Galleries-Chelsea, The New Yorker, p. 21, September 23, 2002 |
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Mcquaid, Cate. Artists draw on Nature to take realism to another level, Ann Craven at Allston Skirt Gallery, The Boston Globe, Weekend Section, p. C18, September 20, 2002 |
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Glueck, Grace. ART IN REVIEW: Ann Craven, The New York Times, Friday September 20, 2002 nytimes.com
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Horton, Sean C. A Companion Guide to Bird Watching; Ann Craven at Allston Skirt Gallery, South End News, vol.23, no.35, p. 19, September 19, 2002 |
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Boucher, Brian. Ann Craven at Gasser & Grunert, Critic's Picks, Artforum.com, September 17, 2002 artforum.com |
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Spotlight: Ann Craven, Painter, Writers Picks, NY Arts Magazine, vol. 7, no. 9, September 2002 |
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Mcquaid, Cate. Critics Picks: Ann Craven, The Boston Globe, Friday, September 13, 2002 |
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Korotkin, Joyce. Studio Spotlight, NY ARTS, September 2002 |
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Hoggard, Barry. The Art Season Begins Again, Bloggy, September 5, 2002 bloggy.com |
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Robinson, Walter. Sunday in New York, artnet.com, May 20, 2002 artnet.com |
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Barnes, Brooks. Art & Collecting: The Hot New Subject: You, Wallstreet Weekend Journal, February 8, 2002 |
| 2001 |
Finch, Charlie. Looking Down on Man’s Best Friend, artnet.com, April 23, 2001 artnet.com
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Finch, Charlie. Steve Mumford Paints a Picture, artnet.com, January 12, 2001 artnet.com
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| 2000 |
Agan, Sheila. Abstract Contemporary Art comes to life with The Columbus Museum of art’s ‘Extraordinary Realities’ exhibition, The Lantern, Ohio State University, August 10, 2000 |
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Bennett, Brian. Nassau Profiles Artist Ann Craven, Feature Article, Nassau Weekly, vol. 21, no. 20, April 13, 2000
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| 1999 |
Chambers, Christopher. Ann Craven, p. 37, Dart Magazine, vol. 2, no 9, Winter 1999 |
| 1998 |
Johnson, Ken. Art in Review, The New York Times, November 6, 1998 |
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Arning, Bill. Ann Craven at Curt Marcus Gallery, p.76, Time Out New York, November 5-12, 1998 |
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Pederson, Victoria. Rare Birds, Gallery Go Round, p. 126, Paper Magazine, November 1998 |
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Scott, Andrea. Editors Profile Pick of the Week, newyorkcitysearch.com, October 30, 1998 |
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Showcase Artist of the Week, The New Yorker, October 26 - November 2, 1998 |
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Around Town, Knoxville News Sentinel [Knoxville, TN], January 11, 1998 |
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Fab Four, Looking backward and forward at the varied, p. 22, Metro Pulse [Knoxville, TN], January 8, 1998 |
